In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re not as simple to get installed in Media Composer as they are in other applications, as they are treated more like AMA Linked to parameters, as opposed to effects, but once installed, they can be worked […]
In this video we look at how to use the Paint Effect to re-color/colorize/color-correct a portion of a video clip, and how to use motion tracking with the Paint Effect in Avid Media Composer. We are using Avid Media Composer 8.5.1 in this video, but the process will be the same for other versions. First, […]
Designed especially for Avid Media Composer, this LUT legalises video levels to be broadcast safe. RGB and Luma are corrected to be within EBU-R103 gamut requirements. A great purchasable alternative to hardware legalisers and perfect for file-based mastering
Tutorial on exporting from Media Composer, then importing into resolve. Then some simple grading examples, and export back to media composer.
UK-based colorist and trainer Dan Harvey shares tips for color correction & grading inside Avid Media Composer. Get quick looks with filters like Fast Film Glow and Fast Film Process or use the integrated mocha/PixelChooser masking tools to complement the native Media Composer color correction tools. Learn more about Continuum Complete 10 – https://www.borisfx.com/products/cont…
Learn how to use the Chroma Key Function ‘Spectra Matte’ to fix a color cast problem within Avid Media Composer.
Tutorial on applying the Safe Color Limiter effect using Avid Media Composer
Hold down the control key and use your middle mouse roller for fine control for many of the Media Composer functions including: Color Correction functions Effect Mode sliders Timeline Navigation. I guess there is a Mac Equivalent with a decent mouse.
This tutorial demonstrates how to leverage Avid’s powerful and efficient color correction by working in Color Correction mode, which allows you quick access to its color grading features but keeps them out of the way while you’re editing
ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more efficiently. More productions are shooting with 2K and 4K cameras, and facilities need a powerful storage system that supports these workflows. ISIS shared storage systems now support 4K and Ultra […]
Media Composer quick tip to remain in color correction mode while jumping to in or out marks. Triggered by a question on the DS list about Goto In or Out while in color correction mode of the Media Composer. Frustration loomed as editors were forced back into source/record mode wasting valuable time and keystrokes to […]
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. http://www.avidblogs.com/fcp7fast/ In the second of our “Get Started Fast with Avid for Final Cut Pro 7” tutorials, Kevin P McAuliffe highlights key differences between […]
In the fourth of our “Get Started Fast with Avid Media Composer 7” tutorials, we’re ready to give your projects a professional polish with eye-catching effects. In this lesson, Kevin P McAuliffe demonstrates basic transitions, like dissolves and color flashes. Then, he takes effects to the next level with the 3D Warp tool. Kevin shows […]
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe shows all the Symphony editors out there how to create a Michael Bay inspired film look right from within their Symphony timeline. Everything that is shown in this tutorial is designed to get you excited to stay in your NLE which not only saves you time, but will […]
This is the second part of the DS LUT tutorial. The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although this tutorial by Igor Ridanovic of HDhead.com looks at Avid DS specific color management tools, it also lays down the […]