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Tag: pro tools

Media Composer

How to End of Edit in Avid

This video will show you how to make an End Of Edit from Avid. You use this process after you finish your picture lock and want to take the vision and audio into final post production

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Audio

Let’s Edit with Media Composer – Sending Sessions to ProTools

One of the most common Media Composer workflows is sending your Media Composer timeline, specifically the audio, to ProTools to have an audio engineer give it the much needed mix it needs, so your final product can be sent to stations, theatres, or wherever else it might be going. With that said, there are some

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Audio

Pro Tools® 11 ‒ Avid Video Engine ‒ Avid®

Play and edit HD video right in the Pro Tools timeline—without transcoding. With the built-in Avid Video Engine—the same core engine as in Media Composer—you can add, edit, and play a variety of HD video formats (such as QuickTime, XDCAM, and more) and Avid DNxHD sequences directly in the Pro Tools timeline—without transcoding. Plus, you

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Audio

Pro Tools® 11 ‒ The New Standard for Audio Production ‒ Avid

The most powerful digital audio workstation just got more powerful. Pro Tools 11 redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools 11 enables you to take on the most demanding sessions and maximize your

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Media Composer

Preview of Avid Media Composer 7 and Pro Tools 11

Announced at NAB 2013 is two major upgrades from Avid. Media Composer 7 has many new features and a significant price drop, now starting at $999 USD. Protools version 11 has also been announced. Both of these latest releases are expected to be available in June 2013. **New features Media Composer 7** * AMA media

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Audio

Introducing Pro Tools 11

The most powerful digital audio workstation just got more powerful. With an all-new, ultra-efficient audio engine, 64-bit performance, and groundbreaking capabilities, Pro Tools 11 enables you to take on the most complex and demanding music and audio post productions with ease, so you can focus on sounding your best. What’s new in Pro Tools 11

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Audio

IBC 2012: Introducing Pro Tools|HD Native Thunderbolt™ interface

ProTools|HD Native is a new generation of Pro Tools|HD system that enables you to compose, record, edit, and mix music and/or sound for picture—with great speed and ease. Consisting of an HD Native Thunderbolt interface or PCIe core card, Pro Tools HD software, and Pro Tools HD Series interface, Pro Tools|HD Native harnesses the power

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Avid Technology

Welcome to Avid at NAB 2012

Imagine the largest array of new product announcements from Avid at NAB in over a decade. Stay tuned to see how these solutions can help you achieve new levels of creative excellence and business performance.

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Audio

Introducing Pro Tools® 10 and Pro Tools® HDX

Whether you’re a seasoned pro or just getting started in audio recording, you want to create the best sounding mixes possible, quickly and easily. With industry-leading Pro Tools software and systems, you can do just that and more.

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Audio

Work More Easily with Audio – Avid® Media Composer® tutorials

Media Composer 5 introduced several improvements to audio (RTAS plug-ins, Stereo Audio Tracks, ability to view automation gain on individual tracks). At the time MC5 was introduced, Pro Tools couldn’t open RTAS plug-ins and stereo tracks from MC.With the intro of PT 9, not only can Pro Tools open RTAS plug-ins and Stereo Tracks, it

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