Media Composer® 7 ‒ Hi-Res Workflows Featuring FrameFlex™ ‒ Avid
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Media Composer® 7 ‒ Hi-Res Workflows Featuring FrameFlex™ ‒ Avid

Acquire high-resolution media and deliver in HD—with full creative control of reframing. More content today is shot with high-res cameras, but the majority of programming is still HD. With the new FrameFlex tools, you can immediately start working in HD directly from high-res sources and maintain full creative control of the image reframing and keyframing,…

NewBlue Titler Pro for Media Composer Basics 3 of 3
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NewBlue Titler Pro for Media Composer Basics 3 of 3

Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Click here to see the other NewBlue Videos. Part Three shows us how to work with effects and shapes inside Titler Pro 1.0. Travis covers each of these tips in this tutorial:  Access NewBlue…

NewBlue Titler Pro for Media Composer Basics 2 of 3
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NewBlue Titler Pro for Media Composer Basics 2 of 3

Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Click here to see the other NewBlue Videos. In Part Two, Travis teaches us how Titler Pro 1.0 can help you easily customize and manipulate titles, including: Leading and kerning Highlight subsections of text…

NewBlue Titler Pro for Media Composer Basics 1 of 3
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NewBlue Titler Pro for Media Composer Basics 1 of 3

Hello, this is Travis White with NewBlue, and I’m here to show you NewBlue Titler Pro Basics inside Avid Media Composer. Be sure to scroll down to see both Parts 2 and 3 in this post. Click here to see the other NewBlue Videos. In Part One, he shows us step-by-step instructions for how to…

Pro Tools® 11 ‒ The New Standard for Audio Production ‒ Avid
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Pro Tools® 11 ‒ The New Standard for Audio Production ‒ Avid

The most powerful digital audio workstation just got more powerful. Pro Tools 11 redefines professional music and audio production for today’s workflows. From all-new audio and video engines and turbocharged 64-bit performance, to expanded metering and new HD video workflows, Pro Tools 11 enables you to take on the most demanding sessions and maximize your…

Learn Media Composer Lesson 84: Creating DVDs Part TWO
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Learn Media Composer Lesson 84: Creating DVDs Part TWO

http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe talks about encoding your exported Media Composer timelines using Apple’s Compressor. This lesson is specifically focused on Editors who have made the switch from Final Cut Pro/Studio to Avid’s Media Composer, but still want to get the most out of the applications in the bundle, and not have…

Learn Media Composer Lesson 83: Creating DVDs Part ONE
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Learn Media Composer Lesson 83: Creating DVDs Part ONE

library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_83 In this first of a multi-part tutorial series, Kevin P McAuliffe takes a look at setting up your Media Composer or Symphony timelines for creating SD DVD’s. He covers formatting issues you need to keep in mind, as well as the proper way to export your sequence in three important, but very different ways.

Learn Media Composer Lesson 82: Consolidate/Transcode
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Learn Media Composer Lesson 82: Consolidate/Transcode

library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_82 In this lesson, Kevin P McAuliffe answers a common question, and that is “What is the difference between Consolidating and Transcoding?”. Not only does he explain the difference and show you how easy both are to use, but he also discusses Batch Importing, and how what might seem like the best way to work,…