Learn how to use subclips to optimize media for video editing in Avid Media Composer. Transcoding video to DNxHD and DNxHR requires more drive space but subclipping can save you both time and drive space. This video editing tutorial is hosted by Avid certified editor Benjamin Patch.
Michael Krulik walks you through the new Media Composer 2019, which includes a new, more intuitive user interface, an updated media engine, and custom workflow capabilities to drive content production and streamline your workflow. https://www.avid.com/media-composer-movie-editing-software-for-makers
The process of bringing video, audio, graphics and other media into any video editing software is called ingest. In this multi-part tutorial, Benjamin Patch walks you through the ingest process with Avid Media Composer – the most professional video editing application available today. We will start by orienting ourselves to the Source Browser, discussing the…
I’ve had the worst time trying to make a tutorial tonight. This was my third attempt, and halfway through the tutorial, my computer lost power. It at least saved the QuickTime. I think you at least get the idea.. If not, let me know and I’ll make another.
Benjamin Patch walks you through the process of creating and organizing a project in Avid Media Composer – the most professional video editing application available today. This is an introductory video so if you have never used Media Composer before, you have found a great place to start learning this incredible software.
In this lesson, Kevin P McAuliffe answers a viewer’s question about “rewinding” footage in your Media Composer timeline, and takes it a step further to show how you can create a VHS rewind effect using BCC 2019’s Damaged TV effect, and a couple of sound elements. Channel: www.youtube.com/letseditMC_avidFacebook: http://www.facebook.com/LetsEditwithM… ComposerTwitter: @kpmcauliffe e-mail: kevinpmcauliffe@gmail.com
Step 7: Syncing Audio and video in Avid Media Composer Learn how to create, modify and manage a sync map sequence using timecode, then sync double-system audio and video clips in Avid.
Step 6: Importing and Organizing Audio Files in Avid Media Composer Learn how to import audio files into Avid, assign and manage clip metadata in preparation for syncing to video.
Step 5: Organizing video dailies in Avid Media Composer Learn how to manage metadata on video files in Avid Media composer, including copying column data and best practices for setting up your bins.
Step 4: Importing ALE files to Avid Media Composer and relinking master clips to MXF media Learn how to import ALE files into Avid, view bin metadata, and relink master clips to MXF media files.
Step 3: Exporting media and metadata from Resolve for Avid Media Composer Learn how to render Avid MXF files from Resolve, and export ALE files (bin metadata) for Avid Media Composer.
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to Avid Media Composer.
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
This 8-minute video shows an example of how to use the new features of Waveform Sync in the timeline, and the new Create Group From Sequence. In this video, I show how I can use these features to sync up footage from five consumer-grade cameras covering a Christmas concert to an audio track separately mixed…
Prepping your media 0:09:17 Grouping footage in Avid0:14:43 Timecode0:18:57 Multi-Groups0:21:17 Stacking0:35:51 Media Composer 2018.121:13:39 Creating a day stack1:01:40 Syncing multiple cameras and external audio1:58:52 Creating markers for sync points2:15:17 Multi-grouping2:31:26 The sub clipping process2:15:31 Creating a multi-group5:16:40 Automating the process4:43:22 Understanding multi-groups4:47:56 Troubleshooting multi-groups
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