Media Composer 6, Symphony 6, and NewsCutter 10 all feature some important updates and enhancements to the Keyframe Editor. Find out what changes we made—and why—and get a walkthrough of how these updates now work in this video tutorial. Learn more about Media Composer Family http://www.avid.com/US/products/family/Media-Composer?cmpid=70140000000Tg2Q
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to Avid’s Media Composer 6. You will get a basic overview of the application and go through the steps of importing footage.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to some basic trimming techniques in Avid Media Composer 6.
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
Learn how to create a customized wind blur effect using Avid Media Composer’s paint functionality
On May 17, 2012, Steve Holyhead demonstrated how to create stunning light effects with Boris Continuum Complete 8 AVX. Attendees learned how to create cinematic looks, stylish broadcast design elements, and beautiful transitions with BCC Lens Flare 3D; simulate production lights, projectors, or stage lighting with BCC Stage Light; create the soft feel of exposed…
I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then we go to Avid for AMA native R3D playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with mastering at 1080 and grading DNxHD444…
Works for all AVCHD cameras Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: avid.com/ama I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native AVCHD playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up…
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. Follow me on twitter for…
ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able to record to high-quality, SMPTE-standard Avid DNxHD format, so you can edit the footage natively in Media Composer and Symphony—without transcoding or importing. In this video, ARRI’s JD…
Working with Avid Media Composer 6 Title Tool – Excerpt from Avid 6 Core Training
Exporting Media from Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Working with Avid’s Trim Tools – Excerpt from Avid 6 Core Training
Creating Transitions in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
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