Category: NewsCutter

Media Composer

Let’s Edit with Media Composer – What’s New in 2019.9

In this lesson, Kevin P McAuliffe talks about the new feature updates to 2019.9 of Avid Media Composer. If you haven’t updated in a while, or are simply updating from 2019.8, there are some great bin enhancements in this update to make it worth your while. Enjoy! Channel: http://www.youtube.com/letseditMC_avid Facebook: https://www.facebook.com/LetsEditwithMediaComposer

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Media Composer

Storyboard Video Editing Tutorial with Avid Media Composer 2019

This tutorial demonstrates storyboard video editing with Avid Media Composer 2019. Storyboard video editing is a highly visual approach to film and video editing. Join Avid certified editor Benjamin Patch as he teaches storyboard video editing with Avid Media Composer 2019. When it comes to this video editing approach, Avid Media Composer offers more flexibility

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Media Composer

Let’s Edit with Media Composer – Settings, Settings, Settings

In this lesson, Kevin P McAuliffe talks about User Settings. Most people create their user settings, and then only worry about their keyboard shortcuts. In this lesson, Kevin will discuss when you should create new user settings, and then show you now you can “borrow” settings from previous versions of your settings, or even from

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Media Composer

Set One Media Drive in AVID

Media Creation Setting Explained! This video will show you how to set what drive to render and import media in AVID. I’m going to drink Swipe Light APA from Southern Tier Brewing Company this weekend. Take the full course on the 2018 version of Avid at avidbeer.com

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Media Composer

Avid Media Composer Bin Containers

Learn the basics of using Bin Containers within Avid Media Composer. This tutorial video is a super basic introduction to using a bin container with Media Composer. Here are a a couple of key features that may be foreign to even the most seasoned Avid user that hasn’t had the opportunity to upgrade to MC

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Media Composer

Media Composer Interface Windows

Learn the basics of Media Composer’s new magnetic interface using tabbed windows. This is the first of many videos I will be producing for the new Media Composer 2019.X interface. Eventually, I will have a series of videos covering the critical fundamentals of Avid Media Composer. I will be providing all the practice media that

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Media Composer

Speed Ramping in AVID

Download Bin of my favorite speed ramps with this link https://drive.google.com/file/d/15g-kTnBxiQUlXDKGbC4i_S5kj3PFHKS1/view Take the full course at avidbeer.com My beer of the week is Dogfish Brewery Slighty Mighty IPA

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Media Composer

Add Bin To Favorites in AVID

This is a really cool feature that allows to have your favorite bins from other projects in every new project you create. Quick Tip Thursday…my beer for this weekend will be Dogfish Slighty Mighty IPA Learn AVID faster so you have time to drink more beer! Full online courses at https://avidbeer.com

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Media Composer

Group Clips in AVID

Group Clips in AVID explained! My favorite beer right now is Lawson’s Super Session #8 Take the full online course of the 2018 version of AVID at https://avidbeer.com/

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Media Composer

Avid Media Composer 2019 – Your Questions Answered

Avid Media Composer 2019 is here and you have questions. Join Avid certified editor, Benjamin Patch who has collected your questions, organized them into several categories, merged a few together, and created this tutorial as a concise series of answers. Benjamin Patch will cover everything from bug workarounds, to interface preferences, feature requests, and even

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Media Composer

Fluid Morph AVID Media Composer

Fluid Morph is a pretty cool feature. It allows you to smooth out Jump Cuts in an interview setting. This is not a perfect solution, nor does it work all the time. But, in the right setting, it does alright. 1:20 – Jump right into it. Fluid Morph

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Media Composer

Let’s Edit with Media Composer – 4K Multicam Off/Online

In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version

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