AMA makes it easy to access and edit file-based media without transcoding. Now you can use AMA to export files back to the media’s original source format for archiving or final delivery through Avid Media Authoring, which will be available as our partners update/develop their AMA plug-ins. And with new AMA Volume export support, you
Kevin P. McAuliffe harnesses the power of Boris Continuum Complete v8 AVX’s Particle Emitter 3D filter to create engaging particle effects directly from within Avid Media Composer, giving his Avid titles a “particle overhaul”.
With Avid Media Composer 6.5, you can now monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools, the Media Composer family of products offers the best built-in audio tools for video editors than any
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_15 In this lesson, Kevin P McAuliffe gives you an introduction to effects work inside of Media Composer, by showing you the 3D Warp Tool. It’s the equivalent to the clip based parameter adjustments (Scale, Position, Rotation, etc) you can make inside of FCP or Premiere Pro CS6. This is going to be your “go
Version and archive finished sequences with AS-02 With support for the AS-02 MXF mastering format through AMA, managing multiple versions of the same sequence is easy, as AS-02 packs everything into a single bundle without duplicating assets, saving storage space. Seamlessly move content between Avid and other systems that support AS-02. Use JPEG 2000, DNxHD,
Many people don’t realise the power of Media Composer’s ability to have effects on ‘filler’ – it’s a lot like an adjustment layer in Photoshop. With a little experimentation it can deliver some great results.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_14 In this lesson, Kevin P McAuliffe talks about working with basic transitions in your timeline. He shows you the long way, and the short way to access the effects, and also shows you everything you need to know to adjust transitions once they’ve been applied in your timeline, as well as quick ways to
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for hiding jump cuts.
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for using the Quick Trim tools.
Manhattan Edit Workshop Director of Education Janet Dalton’s Tutorial for Filling Titles With Video in Avid Media Composer 6.
Media Composer 6.5 Family is designed to eliminate bottlenecks, enabling you to work faster than ever. See what’s new in Media Composer 6.5 Family http://www.avid.com/US/products/media-composer/features?cmpid=70140000000UMm0
An Avid editor recently inquired regarding how to draw a custom shape to create an alpha in Avid FX. Boris FX Senior Product Manager Dirk De Jong created this screencap to show how it’s done. You can view the original Avid Community Forums thread at http://community.avid.com/forums/p/112470/651199.aspx
There was a huge buzz in the industry when we released Media Composer® 6, Symphony™ 6, and NewsCutter® 10 last year with 64-bit performance, third-party I/O workflows, stereoscopic 3D, hands-on Artist Series controller support, and a slick new interface. And now they’re even better—meet the new Media Composer 6.5 family, featuring: • New versioning and
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