This week, another viewer suggestion: We’ll create the high-contrast, saturated look that is common to many sports trailers. We’ll also play around with BCC’s Glow and add some flicker to the shots.
Distort and degrade your shots to give it the look of surveillance camera footage.
Learn how to use Avid Media Composer’s animatte feature to color correct video. You will also learn how to create a moving matte using Avid Media Composer’s tracker.
In this last episode in the audio series, I’ll show you how to apply audio effects in Media Composer and a couple of neat real-world tips (like limiting you master output) that will hopefully help you out one day or another. This is a seven part series with Audio Settings, here are direct links
This week, we’ll look into Avid’s EQ Tool. It’s pretty basic (look for more powerful EQs in the AudioSuite), so’ll we’ll cover what it can and can’t do. Also: Build your own EQ preset into the Presets of the EQ’s fast menu. This is a seven part series with Audio Settings, here are direct
Learn how to create the ‘Ken Burns’ effect using the Pan and Zoom feature within Avid Media Composer. You can view a full text based tutorial with screen shots on this same concept by visiting:
Learn to manipulate audio with keyframes. This is a seven part series with Audio Settings, here are direct links to the other parts: Audio Basics I – Settings, Settings, Settings Audio Basics II – Stereo Tracks Audio Basics III – Very Basic Editing Audio Basics IV – Audio Mixer Audio Basics V – Audio
Although it’s primarily relied upon for creating motion titles and graphics in 3D space, Avid® Marquee® can also make quick work of still graphics and titles. One example of this is the creation of lower-third graphics. Often times editors are asked to create multiple lower-third titles for a project with all the titles having a
An in-depth look at Media Composer’s audio mixer. This is a seven part series with Audio Settings, here are direct links to the other parts: Audio Basics I – Settings, Settings, Settings Audio Basics II – Stereo Tracks Audio Basics III – Very Basic Editing Audio Basics IV – Audio Mixer Audio Basics V
Learn how to edit directly from a bin window within Avid Media Composer without having to load the content into a source window.
Since being introduced in 2009, the AMA architecture has been expanded in Media Composer© 5.0 to include even more file-based formats. Now in MC5 users can directly link to and have immediate access to formats such as RED©, QuickTime© with H.264, QuickTime with ProRes, Canon’s new XF plug-in, the P2 DVCPRO© format, XDCAM HD, as
Learn how to create a slideshow in Avid Media Composer by marking in-out points for all your clips at the same time. You’ll learn how to add transitions to all your slides with one click of the mouse.
This week, we’ll make some very simple audio edits, create transitions, check out waveforms and get rid of those horrid pops that are sometimes created by audio edits. This is actually the first part of a show that was to include the audio mixer as well, but the episode just turned out to be way
Boris Continuum Complete AVX for Avid DS brings nearly 200 filters to Avid DS Version 10.2.1 and higher. BCC AVX is bundled with all Avid Media Composer and Symphony systems. With a BCC AVX for DS license, Avid facilities are able to conform sequences with AVX 2.0-based BCC effects for finishing in Avid DS.
Learn how to create a speed ramp effect within Avid Media Composer. You’ll also learn how to slow down the audio using Media Composer’s set of audiosuite tools. You can also view a text version of this tutorial using the ‘time compression expansion plugin’ by visiting: http://www.geniusdv.com/news_and_tutorials/2010/10/media_composer_speed_ramp_…
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