This is a really cool feature that allows to have your favorite bins from other projects in every new project you create. Quick Tip Thursday…my beer for this weekend will be Dogfish Slighty Mighty IPA Learn AVID faster so you have time to drink more beer! Full online courses at https://avidbeer.com
We welcomed Michael Krulik from Avid who showed the brand new re imagined Avid Media Composer 2019. Hosted by Michael Horton. In Collaboration with Surf Theater Productions
In this lesson, Kevin P McAuliffe gives you a great introduction to the awesome Particle Illusion effect, included in the 2019.5 version of Continuum from Boris FX. We’re going to look at adding this effect to a real world scenario, and the end result shows that this effect can add an additional layer of realism
Group Clips in AVID explained! My favorite beer right now is Lawson’s Super Session #8 Take the full online course of the 2018 version of AVID at https://avidbeer.com/
Avid Media Composer 2019 is here and you have questions. Join Avid certified editor, Benjamin Patch who has collected your questions, organized them into several categories, merged a few together, and created this tutorial as a concise series of answers. Benjamin Patch will cover everything from bug workarounds, to interface preferences, feature requests, and even
In this lesson, Kevin P McAuliffe talks about a process that most editors dread, and that is Chromakeying. It can be a tough job. Either your key is not good, or the tool you’re attempting to pull your key with is subpar. That’s where Boris FX’s Primatte Studio can really save your day. This keying
Fluid Morph is a pretty cool feature. It allows you to smooth out Jump Cuts in an interview setting. This is not a perfect solution, nor does it work all the time. But, in the right setting, it does alright. 1:20 – Jump right into it. Fluid Morph
In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version
In this lesson, Kevin P McAuliffe talks about the new Multicam updates in the 2019 version of Media Composer. Added at the very end of 2018 (2018.12), Group Clips, the core of Multicam editing have been given an overhaul, and have had the ability to edit them added, which is a much welcome update. We’ll
Quick Tip Thursday this is a super fast way to use keyboard shortcuts to make a freeze frame in AVID. Preview the whole first section of the online course at avidbeer. com Learn Avid faster so you have time to drink more beer! Twitter — @avidbeer
I’m going to talk out what I think is unconventional but the best way to do Dips to Black and White Flashes in AVID. Take the full online course at avidbeer.com Twitter — avidbeer
One of the capabilities that differentiates Avid Media Composer 2019 from other editing software is its impressive ability to handle massive amounts of media. This is critical for long-form documentaries, feature films, and episodic content. The way you as an editor or an assistant manage all of this content is through bins. The key to
Quick Tip Thursday– Best way to change the gain of multiple clips in AVID. Edit video faster so you have time to drink more beer! Take the full online course at avidbeer.com Follow on Twitter @avidbeer
I’m going to talk as I loop an animation for an hour for a podcast video to be put up on YouTube. Edit video faster so you can drink more beer! Take the full online course at avidbeer.com Learn AVID faster so you can drink more beer! Follow on Twitter @avidbeer
1:10 – Audio Levels on Tracks2:11 – Automate Pan2:35 – Working in Surround Sound4:38 – Adding Inserts6:00 – Nothing important past six minutes. Just rambling like I do. As always, let me know if you have any issues or problems. I’ll usually respond to comments, even stupid ones.
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