Announcing Avid Motion Graphics™ 2.5

For today’s graphics professionals, it’s all about building brands. With Avid Motion Graphics, the possibilities are virtually unlimited. This on-air graphics platform lets you create stunning imagery with advanced design tools, powerful production capabilities, and sophisticated workflow integration. Built on a revolutionary rendering engine, Avid Motion Graphics lets you build show-stopping brands with speed and […]

Welcome to NAB 2013

Avid – Tom Graham and Matt Feury talked about what Avid will show on NAB 2013 And also discusses what’s new in Pro Tools 11 and Media Composer 7. Experience the action as it happens from the show floor.  

Introducing Pro Tools 11

The most powerful digital audio workstation just got more powerful. With an all-new, ultra-efficient audio engine, 64-bit performance, and groundbreaking capabilities, Pro Tools 11 enables you to take on the most complex and demanding music and audio post productions with ease, so you can focus on sounding your best. What’s new in Pro Tools 11

Learn Media Composer Lesson 71: Creating a Sports Scorecard In this lesson, Kevin P McAuliffe answers a viewer’s question about creating a tennis scoreboard, like you would see in a professional tennis broadcast. Most people immediately think they need Photoshop or a compositing application to create this element, but the easiest way to build is with the tools you have right at your […]

Learn Media Composer Lesson 70: The Ken Burns Effect In this lesson, Kevin P McAuliffe shows you how to create the Ken Burns effect, known more commonly as a “Pan & Zoom” effect. This effect, which people will normally create in a compositing application, can be easily created right from within your MC/Symphony timeline with no 3rd party plug-ins needed.  

Learn Media Composer Lesson 69: Advanced Compositing THREE In this lesson, Kevin P McAuliffe shows you how to take a green screen shot with a lot of compression, and create a great looking key right from within your MC/Symphony timeline. Most editors choose to use the RGB keyer, but after seeing this tutorial, SpectraMatte will be your new “go to” effect for […]

Learn Media Composer Lesson 68: Advanced Compositing 2 Advanced Compositing TWO: Network Promo Effect. In this lesson, Kevin P McAuliffe shows you another great promo technique that you would see during primetime on one of the major networks. These Advanced Compositing tutorials are hugely important to take your work to the next level! Not only are they simple to do, but they […]

ISIS 5000 Best Practices Guide

ISIS 5000 Best Practices Guide for ISIS 5000 shared storage.

Learn Media Composer Lesson 67: The Bachelor Commercial FX In this lesson, Kevin P McAuliffe shows you how to re-create the commercial bumper from The Bachelor, right from within the MC/Symphony timeline. Seeing how easy it is to recreate this look will have you scoping out other “looks” from shows, and finding unique ways to include them in your upcoming projects.

Learn Media Composer Lesson 66: Advanced Compositing ONE In this lesson, Kevin P McAuliffe shows you how to take an fire element with no matte, and not only create a matte from nothing, but also how to take that matte, and use it to reveal text for a lower third animation. When your client sees that this is something you can do […]

Learn Media Composer Lesson 65: Motion Effects PART THREE In this lesson, Kevin P McAuliffe shows you a technique that he uses in corporate video work, and that is how to not only slow your footage down, but create highlights that you can use to focus on certain areas of a shot. With a little forward thought, and the Marquee Title Tool, this […]

Learn Media Composer Lesson 64: Motion Effects PART TWO… In this lesson, Kevin P McAuliffe expands on lesson one by showing you how to create variable speed motion effects inside your MC/Symphony timeline. Most people think that a technique like this requires either a third-party plug-in, or a compositing application, Kevin shows you how simple it is to create some very cool slo-mo’s.

Star Trek: Storytelling on the Galactic Edge

Creating a sci-fi, adventure film with more than 1,000 visual effects, using a reliable, full-featured editing workflow.

Avid DS Introduction to LUTs Pt 2 of 2

This is the second part of the DS LUT tutorial. The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although this tutorial by Igor Ridanovic of looks at Avid DS specific color management tools, it also lays down the […]

Learn Media Composer Lesson 63: Basic Motion Effects Part 1 In this lesson, Kevin P McAuliffe shows you how to create some basic Motion Effects, i.e. – Slow Mo’s, and shows you a great technique that he uses all the time to create a dynamic “isolated” slo-mo effect.

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