Tag: ama

Media Composer

Learn Media Composer Lesson 92: FrameFlex

library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_92 In this lesson, Kevin P McAuliffe takes a look at the new FrameFlex feature inside of Media Composer 7. Ideal for working with large frame sizes inside of HD and SD timelines, this new feature is almost a hidden gem, as it’s automatically added to your clips, once you drop them in the timeline.

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Media Composer

Media Composer® 7 ‒ Background Media Processing ‒ Avid®

Spend more time being creative by automating media tasks in the background. Gain more time for creativity with new features that accelerate and simplify file-based workflows. With Dynamic Media Folders, non-creative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow. Plus, you’ll get peace of

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Media Composer

Survival Guide ‒ Media Composer® Sony XDCAM AMA Basics ‒ Avid®

In this video, Justin Wingate will show you the basics for Sony XDCAM AMA. Survival Guide Video Series is proudly presented by Avid Support. The series covers basic troubleshooting, how-to, software activation, quick tips, and more. Subscribe to the Media Composer Survival Guide playlist for new episodes. http://www.youtube.com/playlist?list=…

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Media Composer

Survival Guide ‒ Media Composer® Importing, AMA Linking, Consolidating – Avid

In this video, Jon Christenson will show you the difference between importing and consolidation. Media Composer 7 Survival Guide Video Series is proudly presented by Avid Support. The series covers basic troubleshooting, how-to, software activation, quick tips, and more. Subscribe to the Media Composer 7 Survival Guide playlist for new episodes. http://www.youtube.com/playlist?list=…

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Media Composer

Media Composer® 7 ‒ Hi-Res Workflows Featuring FrameFlex™ ‒ Avid

Acquire high-resolution media and deliver in HD—with full creative control of reframing. More content today is shot with high-res cameras, but the majority of programming is still HD. With the new FrameFlex tools, you can immediately start working in HD directly from high-res sources and maintain full creative control of the image reframing and keyframing,

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Media Composer

Avid Media Composer/Symphony 7 in 4 minutes

Screen recorded using my 2008 Macbook Pro so bare with the lags. These are the key new features I’m excited about in the latest update to Avid Media Composer and Symphony. For more info on all the new features look at the official Avid Documentation here: http://avid.force.com/pkb/articles/en…

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Media Composer

Supplementing the Avid Media Composer Workflow for 2K+

Award-winning filmmaker, producer, editor and industry technologist, Michael Phillips shares his Media Composer workflow for 2K+ with details for preparing dailies, double system audio sync overview, steps for Pull list and re-conform to original 2K elements for Avid HD finish, prep for and completion of conform in Smoke or Resolve at native resolutions. ABOUT MICHAEL

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Media Composer

Learn Media Composer Lesson 11: Importing & AMA Linking To

library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_11 In this lesson, Kevin P McAuliffe shows you the last two “common” ways to bring footage into Media Composer, and that is importing and AMA linking to, and discusses why it’s important that FCP editors switching to Media Composer are going to want to pick the right one, so they are up and running

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Media Composer

Media Composer® 6 – Building ProRes Pipelines

You may have heard about the ways in which Media Composer can save you copious amounts of time in the editing suite. Now we’d like to show you Media Composer/FCP double agents—and those looking to expand your workflow—how fast and easy it is to work with ProRes using the latest Media Composer family software. Whether

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Media Composer

Avid Media Composer / Symphony 6 R3D Complete Workflow Guide

I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then we go to Avid for AMA native R3D playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with mastering at 1080 and grading DNxHD444

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Media Composer

Avid Media Composer / Symphony 6 Canon DSLR Complete Workflow Guide

Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. Follow me on twitter for

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Media Composer

ARRI ALEXA: DNxHD File Support for Media Composer®

ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able to record to high-quality, SMPTE-standard Avid DNxHD format, so you can edit the footage natively in Media Composer and Symphony—without transcoding or importing. In this video, ARRI’s JD

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