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Media Composer

ARRI ALEXA: DNxHD File Support for Media Composer®

ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras are able to record to high-quality, SMPTE-standard Avid DNxHD format, so you can edit the footage natively in Media Composer and Symphony—without transcoding or importing. In this video, ARRI’s JD

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Avid Technology

BCDF Pictures: Indie Filmmaker Profile

Have tons of media? Need to hit tight deadlines and win more work? See how one indie studio switched to Media Composer® and did just that. Editors tell us time and again that collaboration is the key to success in today’s post environment. More professionals build their businesses, and they’re reputations, with Avid®.

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Media Composer

Avid Media Access v2 – Avid® Media Composer® tutorials

Since being introduced in 2009, the AMA architecture has been expanded in Media Composer© 5.0 to include even more file-based formats. Now in MC5 users can directly link to and have immediate access to formats such as RED©, QuickTime© with H.264, QuickTime with ProRes, Canon’s new XF plug-in, the P2 DVCPRO© format, XDCAM HD, as

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Media Composer

Avid Screencast #36: AMA with Red and Quicktime Files

NOTE: I had to trim this video down severely because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc36 With Media Composer 5, you can access Quicktime and R3D files natively using AMA (provided you have the horsepower). In this episode, I’ll show you how to link to AMA volumes, change the R3D source

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