Tag: color correction
Hold down the control key and use your middle mouse roller for fine control for many of the Media Composer functions including: Color Correction functions Effect Mode sliders Timeline Navigation. I guess there is a Mac Equivalent with a decent mouse.
This tutorial demonstrates how to leverage Avid’s powerful and efficient color correction by working in Color Correction mode, which allows you quick access to its color grading features but keeps them out of the way while you’re editing
ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more efficiently. More productions are shooting with 2K and 4K cameras, and facilities need a powerful storage system that supports these workflows. ISIS shared storage systems now support 4K and Ultra
Media Composer quick tip to remain in color correction mode while jumping to in or out marks. Triggered by a question on the DS list about Goto In or Out while in color correction mode of the Media Composer. Frustration loomed as editors were forced back into source/record mode wasting valuable time and keystrokes to
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin P McAuliffe to get started fast. http://www.avidblogs.com/fcp7fast/ In the second of our “Get Started Fast with Avid for Final Cut Pro 7” tutorials, Kevin P McAuliffe highlights key differences between
In the fourth of our “Get Started Fast with Avid Media Composer 7” tutorials, we’re ready to give your projects a professional polish with eye-catching effects. In this lesson, Kevin P McAuliffe demonstrates basic transitions, like dissolves and color flashes. Then, he takes effects to the next level with the 3D Warp tool. Kevin shows
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe shows all the Symphony editors out there how to create a Michael Bay inspired film look right from within their Symphony timeline. Everything that is shown in this tutorial is designed to get you excited to stay in your NLE which not only saves you time, but will
This is the second part of the DS LUT tutorial. The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although this tutorial by Igor Ridanovic of HDhead.com looks at Avid DS specific color management tools, it also lays down the
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_62 In this lesson, Kevin P McAuliffe continues his look at basic color correction by talking about what to do in situations where the color of an image has been altered (incorrect White Balance, for example) from what would be considered “normal”. He gives you a basic overview of the color wheels and how simple
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_61 In this lesson, Kevin P McAuliffe shows you the basics of color correction by simply adjusting the Setup, Gamma and Gain values to take a shot that was totally washed out, and give it the punch to really make it stand out above all others. The best part about it, is the technique is
Bob Russo explains how to use the Secondary Color Correction toolset.