Avid Screencast #53: Split Toning
Create interesting effects by pushing the shadows and highlights of a shot towards different hues.
Create interesting effects by pushing the shadows and highlights of a shot towards different hues.
Use text and graphics tool tips from Tutorial 1 and quickly create a show open with compositing and effects in Avid DS.
This week, another viewer suggestion: We’ll create the high-contrast, saturated look that is common to many sports trailers. We’ll also play around with BCC’s Glow and add some flicker to the shots.
Distort and degrade your shots to give it the look of surveillance camera footage.
Learn how to use Avid Media Composer’s animatte feature to color correct video. You will also learn how to create a moving matte using Avid Media Composer’s tracker.
Create a Secondary Color Correction with a Garbage Matte in Media Composer. It plays in real-time! http://www.avidscreencast.com/asc40
Nothing fancy, but a solid workhorse: Want to make sure that your sequence is complying with technical broadcast standards? The Safe Color Limiter Effect is your friend. http://avidscreencast.com/asc33
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc28 In the final installment of the Color Correction series, we’ll highlight parts of a shot by using a vignette. Then, I’ll go through some Color Correction options that I hadn’t mentioned in previous episodes. Here are
In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color
One of the most common tasks when doing color correction is matching two shots. So this week and next, we’ll do exactly that. As always, I like working with the curves in Avid, but you should be able to use the skills learned in this tutorial when using the Color Wheels as well. Sorry for
In last week’s episode, we chnaged the color balance of a shot with curves. This week we’ll do the same thing with the color wheels. http://avidscreencast.com/asc25 Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc24 In this episode, we’ll severely change the white balance of an image to correct an underexposed, wrongly balanced clip and make it look decent. We’ll use the curves in Avid’s Color Correction to do it. Here
Before we start color correcting a shot, a few words about scopes. http://avidscreencast.com/asc22 Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color Correction Basics Part7
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc23 Manipulate the contrast of an image with Avid Color Correction. Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction
Create a secondary color correction in Avid Media Composer. http://www.avidscreencast.com/asc16
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