
Getting Our Colors Back!
This tip will show you how to customize Timeline tracks or Bin backgrounds with your preferred colors, not the ones provided by Avid.

This tip will show you how to customize Timeline tracks or Bin backgrounds with your preferred colors, not the ones provided by Avid.

Check out this tip to quickly trim footage in the Timeline using Top & Tail – Media Composer.

Award-winning, ACE-certified Media Composer is the editing choice of the most demanding professionals in film, TV, and video production. Paired with the PhraseFind and/or ScriptSync dialog search options, you have a powerful, creative tool to accelerate your storytelling.

A subtle but very important change to Media Composer 5 is the addition of the Link Selection Tool as well as the Smart Tool editing palette. Historically in Media Composer, to make adjustments to a segment or transition, you would have to enter a specific mode. Now with the Smart Tool, depending where your cursor

When the Yankees shoot a “day in the life of Derek Jeter” segment for Yankees On Demand, a weekly hour-long program of exclusive Yankees content, they rely on an end-to-end Avid workflow specifically constructed for sports marketers.

Learn more: http://www.avid.com/US/products/family/Media-Composer?cmpid=AV-SM-MC5-3 With invisible, graceful editing and a workflow that makes the most of every hour of post-production—Media Composer raises the art of collaboration to new heights.

For a professional sports team like the Miami HEAT, it’s not just about what happens during the game. When the rest of the world goes to commercial, HEATV goes to air, firing up the HEAT franchise brand with a wide array of media assets managed by the Avid Interplay production asset management system. “The name

Media Composer 5 introduced several improvements to audio (RTAS plug-ins, Stereo Audio Tracks, ability to view automation gain on individual tracks). At the time MC5 was introduced, Pro Tools couldn’t open RTAS plug-ins and stereo tracks from MC.With the intro of PT 9, not only can Pro Tools open RTAS plug-ins and Stereo Tracks, it

Distort and degrade your shots to give it the look of surveillance camera footage.

See how filmmaker Robert Rodriguez’s Troublemaker Studios gave rise to a gripping new chapter in the Predator franchise, with help from an all-Avid workflow.

Here’s a very basic tutorial on how to set up a multi-camera edit using Avid Media Composer. I purposely made this tutorial very short to get right to the point. You can view the full transcript of this Media Composer tutorial by visiting: http://www.geniusdv.com/news_and_tutorials/2010/08/setting_up_multi_camera_mo…

Make the most of your media: http://apps.avid.com/make-most-media?cmpid=AV-SM-MTM-3 Going green in more ways than one, Discovery recently moved from tape to file-based workflows. “Everyone in the media industry knows that tape is extremely bad ecologically,” comments Clayton Dutton, Vice President of Post Production and Media Operations. But, just as important, Discovery now understands they can count

Business is literally booming for Powderhouse Productions, one of the most explosive forces in today’s non-fiction TV entertainment industry. And that, according to Rob Kirwan, Senior Vice President, Production and Post, “takes a whole other level of media management we’ve never had.” But now, with Avid Interplay Production and Unity ISIS networked storage platforms, Powderhouse

Avid’s Matt Feury interviews Editor Jason Stewart (Minute to Win It, World’s Greatest Dad) about the latest Media Composer release (v5).