Avid Screencast #34: Film Flash
Create a Glow-like Film Flash Effect without using Boris Continuum Complete. http://www.avidscreencast.com/asc34
Top Editors Weigh in on Avid® Media Composer® 5 – Film and Video Editing Software
Hear what professional editors and beta testers have to say about working with Media Composer 5—from the new Smart Tool and direct RED and QuickTime
Avid Screencast #33: Safe Color Limiter
Nothing fancy, but a solid workhorse: Want to make sure that your sequence is complying with technical broadcast standards? The Safe Color Limiter Effect is
Avid Screencast #32: Blurring into / out of a Title
In this episode, we’ll transition into a title by starting with a blur and then slowly letting it focus. To do this we’ll have to
Avid Screencast #31: Curtain Transition
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc31 This week’s episode features a request
How to view Avid iNEWS® on an iPad
If you have questions about iNEWS or using iNEWS on the iPad submit your question on community.avid.com in the Broadcast Newsroom Forum: http://community.avid.com/forums/187.aspx?cmpid=youtube
Avid Screencast #30: Audio Timewarp
Everybody knows the Timewarp only applies to video. But what if you want to change the speed of your audio as well? In this episode,
Avid DS – Indexing and Media Management (2 of 2)
For more customer tutorials: community.avid.com/forums/tags/~Avid_DS/default.aspx?GroupID=31?cmpid=vimeo For DS Nitris and Avid DS workflow, issues and questions: community.avid.com/forums/34.aspx?cmpid=vimeo Click here for part 1 of 2
Avid Screencast #29: Glow Transition
In this episode, we’ll create a nice Glow transition using a Boris Continuum Complete Effect that ships with Media Composer.
Iron Man 2: The Collaborative Art of Storytelling
“If you’re a young editor, and you want to have an edge…you should know what’s new in Media Composer.” -Dan Lebental, editor, ‘Iron Man 2’
Avatar producer Jon Landau on film and video editing workflow and 3D film production
Avid Exclusive: Meagan Keane of Avid Artist Relations interviews Avatar producer Jon Landau. Landau discusses the creative process behind the highest grossing film in history
Avid Screencast #28: Color Correction Basics VII – Vignettes and Wrap-Up
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc28 In the final installment of the
Avid Screencast #27: Color Correction Basics VI – Matching Two Shots Part II
In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the
Episode Sixteen: Cheesy “How-To” transitions Part Three
The final installment in my three part Cheesy Transitions series. As usual, everything is done right inside Media Composer. This is one very, very powerful
Editor of LOST and Mad Men shares his insights for students looking towards Hollywood – Avid Buzz
Christopher Nelson, ACE Editor of LOST and Mad Men, talks with Meagan Keane about what students need to learn in school to be successful in
Avid Screencast #26: Color Correction Basics V – Matching Two Shots Part I
One of the most common tasks when doing color correction is matching two shots. So this week and next, we’ll do exactly that. As always,
Avid DS – Indexing and Media Management (1 of 2)
Learn the basics of Avid DS indexing, why it is important and how to manage your media files. This is a part 1 of 2.
Avid Screencast #25: Color Correction Basics IV – Manipulating Color Balance with Color Wheels
In last week’s episode, we chnaged the color balance of a shot with curves. This week we’ll do the same thing with the color wheels.
Build a better business with an Integrated Media Enterprise
At the heart of the Integrated Media Enterprise, Interplay is an Enterprise Media Asset Management solution. Providing individual contributors with the media they need, where
Monitor Video Externally through Matrox MXO2 Mini and Avid Editing Systems
If you dont have a Nitris DX- or Mojo DX-based system, Media Composer 5 opens the door to third-party workflows, enabling you to monitor video
We’re Avid, artists & industry experts with one goal. Watch our story.
From Pro Tools® to Media Composer® we create audio and video technology that helps people make the most listened to, most watched and most loved
Media and Production Asset Management with Avid Interplay®
Around the world, in 1,000 post and broadcast facilities, journalists, systems administrators, producers, and editors, are breaking down workflow barriers and getting down to business
Avid Screencast #24: Color Correction Basics III – Manipulating Color Balance with Curves
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc24 In this episode, we’ll severely change
Avid Screencast #22: Color Correction Basics I – Laying the Groundwork
Before we start color correcting a shot, a few words about scopes. http://avidscreencast.com/asc22 Here are direct links to the other tutorials in this series: Color
Avid Screencast #23: Color Correction Basics II – Manipulating Contrast
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc23 Manipulate the contrast of an image
Episode Fifteen: Cheesy “How To” Transitions Part Two
Yet another transition I recently saw that is really easy to build. Once again, no third-party applications. Everything is done right inside the Avid
Customizing Your Avid Bin
A short video tutorial on how to customize views in your Avid Media Composer bin. To learn more things like this, go to PostFifthPictures.com
Episode Fourteen: Cheesy “How-To” Transitions Part One
In this episode, we take the Animatte a couple of steps further and check out an effect used for introducing talent in a TV show
Avid Screencast #21: Tackling the Timewarp II
In this episode, we’ll continue our deep-dive into one of the most powerful and most-used effects in Avid: The Timewarp. We’ll cover the following basics
Avid Screencast #20: Tackling the Timewarp I
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc20 In this episode, we’ll continue our
Pow! Pix: Covering the 2010 Winter Games 2010
Here’s an exclusive behind-the-scenes look at how Pow! Pix, a New York-based post production facility, created various features, promos and teaser segments from the figure
Avid Screencast #18: Broken Projector Transition
Create a transition that looks like a broken projector image flicker. http://www.avidscreencast.com/asc18
Episode Thirteen: Avid Pan & Zoom Plugin
Check out how you can use the Avid Pan & Zoom plugin to preserve all the detail in your hi res graphics when using them
Moving Filmstrip for Avid Media Composer
Create a moving filmstrip effect for Avid Media Composer. This is a great lesson for using keyframes and compositing techniques. You can view the entire
Marquee 3D text tutorial
Use Avid Media Composer’s Marquee Title tool to create a sequence of 3D characters that fade up one at a time. You can view more
Avid Screencast #17: Automate Title Creation with Marquee’s Autotitler
So you have a bunch of subtitles or lower thirds to do. They all look the same, except for the contents. You’re not seriously considering
Avid Screencast #16: Secondary Color Correction in Media Composer
Create a secondary color correction in Avid Media Composer. http://www.avidscreencast.com/asc16
Pleasantville Effect For Avid Media Composer
Learn how to create the Pleasantville effect with Avid Media Composer using the SpetraMatte keyer.
Avid Screencast #14: Spice Up Text with Video
Sometimes the good, old title with static text just doesn’t cut it. In this episode, we’ll make the text be another layer of video.
Avid Screencast #12: Animated Photo Slideshow
Create a visually interesting photo slideshow by stacking the photos on top of each other and animating them!
Avid Screencast #10: Special Episode – Obscure Faces
PLEASE NOTE: This is a special Christmas Episode, so… be prepared for that 🙂 Sometimes, you need to obscure the face of a person,
2012: Storytelling on the cutting edge
Telling a riveting, end-of-the-world story can be challenging when theres over 1,400 visual effects wreaking apocalyptic chaos on screen. But for the editing team behind
Avid Screencast #05: Pleasantville Effect
In this episode, we’ll create the Pleasantville Effect – everything is black-and-white except for one color – using a Spectramatte and an Animatte for creating
Avid Screencast #06: Remap Your Keyboard!
In this episode, I’ll show you how to remap your keyboard and give you a couple of ideas on what functions to map to it.
Avid Screencast #07: Kill Bill Effect
Create a high-contrast colorized look to your image to make it pop! Check out the blog enry for this week’s episode: http://avidscreencast.com/asc07
Avid Screencast #04: Changing the Field Order
In this episode, we’ll combat the stuttery mess of wrongly imported or ingested interlaced video footage by swapping the field order with the help of
Avid Screencast #01: Real-Time Reflections
In this episode, we’ll create shiny reflections of video as you may know them from the iTunes Store or advertisements. To accomplish that, we’ll use
Avid Screencast #02: Toggling Timeline Views With Your Keyboard
In this episode, we’ll increase your productivity by being able to quickly switch between different timeline views. For example, just press a button on your