Avid ScriptSync

With the new Media Composer | ScriptSync Option, you can quickly sync every source clip to its associated dialog line in your script or transcript in seconds. This makes it super easy to compare all performances in the context of your story, so you can choose the best take. http://www.avid.com/scriptsync

Making The Cut: Tim Porter Talks Working With Avid on “Game of Thrones”

For someone who admits that he “never wanted to become an editor, I fell into it,” Tim Porter has amassed a pretty formidable list of editing credits over the last decade – including long-running TV series Shameless, Doctor Who and, most recently, Game of Thrones.

Making the Cut: Sarah Reimers Talks Her Love for Editing and Avid Media Composer

With credits including Brave, Finding Dory and the recent, charming Pixar short Piper, Sarah Reimers is now firmly established in the leading ranks of animation editing talent. But it was her experiences in film school — and the phenomenal levels of interest by her peers in directing — that encouraged her to pursue editing. Watch […]

Making the Cut: Sim Evans-Jones talks editing Shrek with Media Composer

Sim Evans-Jones, ACE, commenced his higher-level training with a Communications Degree that exposed him to a variety of film-related practical disciplines, but as he recalls it was “the editing that clicked with me”. Watch the complete “Making The Cut” video series on http://www.avidblogs.com/makingthecut

Avid-Powered Post at Warrior Poets

Discover how Avid shared storage and the Avid Artist | DNxIO video interface provide Warrior Poets with the cutting-edge workflows they need to produce the high-quality and engaging content that audiences demand. Production teams can access and share media instantly, work with media in any resolution, and turn around demanding projects fast. And thanks to […]

Avid Shared Storage and Barney Pilling ACE, editor of The Grand Budapest Hotel

Editor Barney Pilling ACE, (Academy Award Nominee, The Grand Budapest Hotel) had been looking for a product like the ISIS | 1000; an affordable solution for smaller post-production houses with the same shared storage capabilities as the industry-proven Avid ISIS systems. “It was a bit of a hallelujah moment. The ISIS | 1000 is the […]

Looking Back at Breaking Bad

Heralded as one of the most iconic television series of all time, Vince Gilligan’s Breaking Bad kept audiences on the edge of their seats for five-straight seasons and challenged them to embrace characters that staggered back and forth over the line between hero and anti-hero. Kelley Dixon ACE, Skip MacDonald ACE, Chris McCaleb, and Sharidan […]

Documentary filmmaker Morgan Spurlock

Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had. And with today’s increasing content demand, there’s never been a better time to get your game on. See our special presentation with Morgan from NAB 2012. We discuss how unique ideas, the right tools, and a […]

Mark Sanger’s work on the 2013 thriller “Gravity”

ACE Editor Mark Sanger’s work on the 2013 thriller “Gravity” helped the film win seven Academy Awards, including Best Visual Effects. To create the immersive sensory experience critics raved about, Director Alfonso Cuarón took the unusual approach of giving his editing team a lead role in the pre-production process. In this episode of The Rough […]

The Hunger Games: Catching Fire

Editor Alan Edward Bell, ACE is known for his innovative work. His collaboration with director Francis Lawrence on “The Hunger Games: Catching Fire”, turned into a blockbuster film that has grossed over $800 million at the box office. In this behind the scenes interview, Bell offers valuable tips for advancing your career in the industry. […]

Sean Albertson and Paul Harb editing The Expendables 3

Veteran editors Sean Albertson (left) and Paul Harb (right) have a deep history working closely with Sylvester Stallone on action films like Rambo, Rocky Balboa, and their newest collaboration, The Expendables 3. Sean and Paul first joined forces with Sly to edit the film, Rocky. They developed a bond while working together with a team of […]

Avid Everywhere for Broadcast.

Today’s broadcast industry is going through unprecedented change. In order to survive and thrive in this transformative era, broadcasters need to increase collaboration among their teams, optimize the value of their media assets, and deliver higher-quality media that engages audiences on multiple screens. Our Avid Everywhere vision for broadcast solves these unique needs by providing […]

Avid Everywhere for Video

Avid Everywhere is our strategic vision for helping content creators and media organizations connect with consumers more powerfully, efficiently, collaboratively, and profitably. Video professionals and post-production houses are facing unprecedented challenges. As media technology continues to evolve, projects are getting larger and more complex. It has become necessary to connect creative professionals in distributed workflow […]

To Be An Editor ‒ Avid®

What does being an editor mean to you? Sound off in the comments, or tell us on Twitter with hashtag #ToBeAnEditor. The team recently had the chance to interview an amazing group of professional editors in filmmaking and post production. Each had a unique take on the role of the modern editor and explained why […]

Survival Guide ‒ Download Center Linking ‒ Avid®

In this video, Tyler Hrynyszyn will show you how to link your Avid Master Account to the Download Center.

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