If you have titles that all follow the same template then Marquee’s Auto Titler function in Avid Media Composer might be just the tool needed to save you precious time. Learn exactly how the software works so hopefully it can help you with any of your future title needs. Software used: Media Composer 8.5.3 http://redarrowindustries.com/
In this lesson, Kevin P McAuliffe takes a look at how to create the Lego Batman logo look using BCC’s Title Studio. Whether you’re using Title Studio’s standalone or plug-in version, you have a ton of flexibility with this effect, and can create powerful animations that you normally can only do in a compositing application!
In this lesson, Kevin P McAuliffe talks about some power editing tips, when it comes to transitions in your timelines, and focuses on the Head/Tail Fade commands and the Transition Manipulation Smart Tool, a great and under utilized tool that gives you complete control over your transitions, in a very visual way!
In this lesson, Kevin P McAuliffe takes a look at creating a realistic camera shake effect. The only problem is the best way to do the effect is in After Effects, so, how to you take that information, and transfer it back to Media Composer so you can use it as an effect? That’s where
In this lesson, Kevin P McAuliffe is addressing another issue that was asked about recently on the Avid Editors of Facebook page, and that is how to get back Master clips that have either been deleted, or are missing (for some reason), from your project. It can seemingly be a frustrating task to track them
This video covers how to use copy and drag and gives some ideas on how you may want to use it. In Media Composer, select your clip(s), then press ALT (Option on Mac), and drag a copy of your clip(s) to anywhere you want on your timeline. This technique works to copy/duplicate video, audio, effects,
In this lesson, Kevin P McAuliffe takes a look at one of the best effects inside of BCC 10, Lens Flare 3D, and shows you how, at first glance, it might seem to be missing some tracking capabilities, but once you look a little further under the hood, you’ll quickly realize how you can integrate
In this lesson, Kevin P McAuliffe talks about a topic that has been hot on the Facebook Media Composer and Premiere Pro pages, and that is sending timelines from one application to another, so in this lesson, Kevin breaks down everything you need to know to make the trip as smooth as possible. Channel: www.youtube.com/letseditMC_avid
With the new Media Composer | ScriptSync Option, you can quickly sync every source clip to its associated dialog line in your script or transcript in seconds. This makes it super easy to compare all performances in the context of your story, so you can choose the best take. http://www.avid.com/scriptsync
In this lesson, Kevin P McAuliffe talks about one of his favorite effects to work with in Media Composer, and that is GenArts S_Effect, and more specifically, how to integrate Mocha Pro’s masking features directly into the Builder tool, so you have more control over your compositing, than you ever did before! Channel: www.youtube.com/letseditMC_avid Facebook:
In this lesson, Kevin P McAuliffe talks about the newest features in version 8.8 of Avid Media Composer, including the return of two much anticipated features, PhraseFind and ScriptSync. Keep in mind, though, that these two features are not included with Media Composer, but are available as an upgrade. Kevin shows you why PhraseFind is
In this lesson, Kevin P McAuliffe answers a great viewer question about Sorenson Squeeze, and how it can interact directly with Avid Media Composer, to automate the process of squeezing (compressing) exports right from your Media Composer timeline! Channel: www.youtube.com/letseditMC_avid Facebook: http://www.facebook.com/LetsEditwithM… Twitter: @kpmcauliffe e-mail: kevinpmcauliffe@gmail.com
In this lesson, Kevin P McAuliffe talks about how to create organic looking film looks, using some effects from Boris Continuum Complete. One thing you’ll notice with all the effects that are used, is that the adjustments to the individual effects might be minor, but once they are all combined together, they create a very
In our fourth lesson, we’re talking about effects and titling. Effects work in Media Composer is a little bit different than in most other NLEs including Premiere and even Final Cut Pro. We’re accustomed to having certain parameters like Scale, Rotation and Opacity “attached” to our clips. It’s not like that in Media Composer. We
Our third lesson is all about Media Management. Now that you’ve acquired your media, you need to figure out what Media Composer has exactly done with it, so whether you need to delete media, or archive a project, you’ll always have control of your media, right at your fingertips. Watch all episodes on: http://www.avidblogs.com/get-started-…
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