Step 5: Organizing video dailies in Avid Media Composer Learn how to manage metadata on video files in Avid Media composer, including copying column data and best practices for setting up your bins.
Step 4: Importing ALE files to Avid Media Composer and relinking master clips to MXF media Learn how to import ALE files into Avid, view bin metadata, and relink master clips to MXF media files.
Step 3: Exporting media and metadata from Resolve for Avid Media Composer Learn how to render Avid MXF files from Resolve, and export ALE files (bin metadata) for Avid Media Composer.
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to Avid Media Composer.
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
This 8-minute video shows an example of how to use the new features of Waveform Sync in the timeline, and the new Create Group From Sequence. In this video, I show how I can use these features to sync up footage from five consumer-grade cameras covering a Christmas concert to an audio track separately mixed
Prepping your media 0:09:17 Grouping footage in Avid0:14:43 Timecode0:18:57 Multi-Groups0:21:17 Stacking0:35:51 Media Composer 2018.121:13:39 Creating a day stack1:01:40 Syncing multiple cameras and external audio1:58:52 Creating markers for sync points2:15:17 Multi-grouping2:31:26 The sub clipping process2:15:31 Creating a multi-group5:16:40 Automating the process4:43:22 Understanding multi-groups4:47:56 Troubleshooting multi-groups
This is a very good video going through most you need to know about Assistant Editing for Reality Television Video is almost 5 hours long, and exceptionally good. 0:10:47 Editorial Teams0:11:35 Responsibilities0:14:18 The Process0:16:38 The Post Wokflow0:20:27 The Fundamentals of Video0:20:59 Resolution0:26:32 Interlacing0:40:26 Timecode0:41:53 Codec0:48:57 Bitrate0:50:37 Video Container1:07:22 Creating and Organizing an Avid Project1:16:42 Avid
In this lesson, Kevin P McAuliffe talks about the newest updates to Boris Continuum Complete 2019’s Title Studio. This first, in a multi-part tutorial series, will focus in on BCC’s excellent title application. This effect has improved by leaps and bounds since it’s inception, and if you’re a Media Composer editor who does most of
Tired of grouping clips by hand? Wish there was a better way to collapse all of your video tracks into one? Look no further! Avid Media Composer 2018.12 gives us the update we’ve been waiting for; Group Clipping straight from the sequence! Software used: Media Composer 2018.12 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
Wish there was a better way to sync your audio to your video files? With the newest update from Avid Media Composer we get just that! I’ll show you how to let Avid do the heavy lifting when it comes to your pre-edit needs. Software used: Media Composer 2018.12 http://redarrowindustries.com https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
Tired of using boring, simple titles? In this tutorial, I’ll explain how you can use some of the most basic elements in Avid Media Composer to create interesting title animations to help spice up your edits! Software used: Media Composer 8.8.5 http://redarrowindustries.com/ https://www.facebook.com/RedArrowIndustries/ https://twitter.com/redarrowindust
New! Continuum 11 for Avid is Now Available Continuum 11 delivers major new tools to Avid editors! New! Primatte Studio: Academy Award-nominated chroma key tech New! VR Unit: 5 powerful filters for 360/VR editing tasks New! Broadcast Safe: Instantly pass broadcast safe standards New! Title Studio: Adds 3D render options including depth-of-field Special guest presenter
This course goes into detail about IO, Performance, drive speed, USB, Thunderbolt, Network, and things to consider about performance and bandwidth.
The first video in a six-part series featuring colorist and finishing editor, Mike Nuget.
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