library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_61 In this lesson, Kevin P McAuliffe shows you the basics of color correction by simply adjusting the Setup, Gamma and Gain values to take a shot that was totally washed out, and give it the punch to really make it stand out above all others. The best part about it, is the technique is
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_60 In this lesson, Kevin P McAuliffe addresses a common mistake that editors make when doing a simple fade out, shows you how simple it is to fix, and then goes over other “simple fade in/out editorial mistakes” that are easily correctable. This lesson is crucial, as these simple techniques will show your clients your
How and why, and when you should use the Avid Pan and Zoom Effect.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_59 In this lesson, Kevin P McAuliffe shows you a fantastic technique on how to revert your 1080i footage back to 23.98 fps for compositing in After Effects (assuming it was originally shot 23.98), and then how to render it out of AE to back to 1080i. No transcoding of footage is necessary, just a
This previously missing gem with features editor Eddie Hamilton was recorded live on our stage at NAB 2012. Eddie shares his passion for the art of editing and gives a behind-the-monitor look at the techniques he used on the films X-Men: First Class and Kick-Ass.
Bob Russo explains how to use the Avid Artist Series Control Surfaces in Avid Media Composer and Symphony.
Bob Russo explains a little about the Avid Mojo DX and the Avid Nitris DX.
Bob Russo explains how to use some of the new audio features in Media Composer and Symphony.
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe gives you a lesson "right out of the edit room" with a breakdown of how he created a title treatment for the French Canadian "A Good Day to Die Hard" commercials. Once you see how easy it is to create inside your NLE, you’ll wonder why you don’t
In this Boris TV episode, Kevin P McAuliffe creates a video wall in 3D space in just minutes using Boris Continuum Complete’s Wild Cards filter in his Avid editing system. Not only is BCC Wild Cards easy to use, but it is quick to manipulate to produce stunning effects. The Boris Continuum plugin is included
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_57 In this last part of our look at Split Screens inside of Media Composer and Symphony, Kevin P McAuliffe gives you an introductory look at Matte Keying, and shows you why working with them has a huge, hidden advantage while working inside of your MC/Symphony timeline.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_56 In the third part at our look at Split Screens inside of MC and Symphony, Kevin P McAuliffe shows you how easy it is to take the technique from the previous tutorial, and add realistic motion to the footage inside of the split screen elements.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_55 In this second lesson in our look at Split Screens inside of Avid’s Media Composer, we look at how to create our own, right from within the MC/Symphony timeline using the standard title tool, and the 3D Warp effect.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_54 In this lesson, Kevin P McAuliffe answers a viewers question about a common technique that you see in show’s like X Factor, and that is “How do you build split screen elements inside of Media Composer?” Well this first of four part tutorial shows you how to take a aplit screen element, possibly created
Bob Russo explains the Find and PhraseFind function in Media composer and Symphony.
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