When you need to cut together multiple video clips from a variety of sources in mixed resolutions, nothing gives you the speed or superb image quality of the new Mix and Match features in Avid Media Composer 4. Forget hardware transcoding; with Media Composer 4 software, you can freely mix and match HD and SD
Get more features, more formats, more flexibility, and more fun! Media Composer® 4 is available now on Avid.com and at resellers near you. Mix and match SD and HD formats, frame rates, and resolutions in the same timeline Access and edit XDCAM, P2, and GFCAM media directly, without transcoding or copying files Acquire, edit, and
This is a follow up to the Avid DS On-screen Frame Calculator tutorial from May 2009. This lesson explains how to create the counters which are the basic building blocks for the frame calculator. DS presets for this tutorial are available from www.HDhead.com along with a number of other handy presets and tutorial podcasts.
Get your free trial copy of Avid® Media Composer® Tthe same video editing system used by the pros. “I don’t know anyone doing $200 million dollar movies who is not cutting on a Media Composer system. At this level, where there’s so much at stake, everyone uses it.” – Roger Barton, Editor, Transformers: Revenge of the
[almost] Everything you ever wanted to know about Timewarps (but were afraid or too lazy to read the manual to find out). Covers DS’s Constant, Hold, Speed, and Input Speed Timewarps
Robert Russo, Avid’s Application Specialist, talks to us about the new features and updates to Avid Media Composer 3.5 including the ability to easily edit Stereoscopic 3D.
In this episode, Dave Forsyth shows you how to use Avid Marquee to animate text along a pre-drawn path
You want to do your best work while staying on time and on budget. From ingest to playout, Avid HD News solutions deliver workflow speed, flexibility, and creative power. So you can be first with the most compelling stories and a better bottom line.
Gain more flexibility during production with Read Audio Timecode, a feature in Avid Media Composer that allows you to capture audio and video separately and then automatically synchronize the sources together as you begin editing. During production, you use an external timecode generator to sync the internal clock of the sound recorder, while feeding the
Avid creates the digital audio and video technology used to make the most listened to, most watched and most loved media in the world. Some of Avid¹s most influential and pioneering solutions include Media Composer®, Pro Tools®, Avid Unity™, Interplay® and Sibelius®. Learn more: http://www.avid.com
This tutorial explains the use of High Speed Calc preset available at www.hdhead.com. This on-screen calculator for Avid DS can be used to convert frames to timecode at speeds from 1fps to 120fps.
Repeated (duplicate) frames sometimes happen in file based workflows. Detecting a repeated frame visually in slow moving material can be a challenge. Learn how to build a simple tool in Avid DS to aid in detection of repeated frames. You can also download this free preset from www.hdhead.com.
Avid DS v10 is capable of stereoscopic (3D) editing, effects and playback. This tutorial explains the stereoscopic setup basics. The tutorial comes with a free interaxial separation preset available at www.hdhead.com.
Avid Certified Senior Instructor shows you how to use the Avid Media Composer Motion Tracking feature
Matte Containers in Avid DS allow you to combine a fill with a separate matte. Learn how to use this feature in this short tutorial by Igor Ridanovic from www.hdhead.com.
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