In this tutorial, Kevin P McAuliffe gets you started in Avid’s Media Composer 6, and talks about some important concepts that you need to understand before you start editing. This tutorial series will teach you everything you need to know about not only Avid’s Media Composer, but Avid’s Symphony as well.
A very basic run through of Canon C300 AMA linking into Avid Media Composer 6.0.1
This tutorial shows how shows what to do if your footage is interlaced and your timeline is progressive and vice versa in Avid Media Composer.
This tutorial shows how how to do a Frame rate conversion if the Input and the Output are both Interlaced or both Progressive and also how to do a Frame Rate Conversion from Progressive Footage to Interlaced Footage in Avid Media Composer.
This tutorial shows how to do a simple slow-down and speed up using Twixtor in Avid Media Composer.
In this tutorial, Kevin P McAuliffe shows you how easy it is to edit multicam footage with no timecode reference in Avid’s Media Composer 6 and Symphony 6.
To finish off our introductory look at Avid’s Media Composer, Kevin P McAuliffe takes a look at outputting both to tape, and to a file. This way, whether you need to output your final show for a client, or get a file ready to work with in After Effects, you’re going to be covered!
In this lesson, Kevin P McAuliffe shows you Media Composer’s "Go To" effect, the 3D Warp, and how easy it is to create basic titles for your sequence. Then, to wrap it all up, he shows a great and often overlooked feature of the basic title tool, that will have you staying in your NLE
In this lesson, Kevin P McAuliffe shows you the basics of editing, and throws in a few bells and whistles to help speed up your overall workflow.
The focal point of your Media Composer project is your bins, and in this tutorial, Kevin P McAuliffe talks about bins, setting up different bin views, and the different layouts you can use to organize your footage.
Every project starts with acquiring footage and in this tutorial, Kevin P McAuliffe looks at not only digitizing footage, but importing and the new Avid “AMA Link to” feature as well.
If you aren’t happy with the direction that Apple has decided to go, and want to switch NLE’s, this in-depth look at Avid’s Media Composer is for you. Looking at FCP7 and Media Composer side by side, in lesson one, we start by looking at the differences between how projects are handled, and how to
http://library.creativecow.net/mcauliffe_kevin/Quick-Tip-Avid-bins Ever have the problem of opening a project, just to realize that hundreds of bins have been left open, and it takes forever for a project to open? Well, you’ll never have that problem again with this great quick tip for AVID Media Composer.
http://library.creativecow.net/mcauliffe_kevin/Quick-Tip-Avid-Assigning-menu-… In many cases, having to stop editing to find something in a drop down menu can be time consuming, and can break your work flow. In this Avid Media Composer Quick Tip, see how to quickly assign menu commands to buttons to help speed up your overall workflow.
http://library.creativecow.net/mcauliffe_kevin/Quick-Tip-Avid-Importing-Seque… Importing clips into Avid’s Media Composer might seem straight forward, but what if a client has sent you a Targa sequence? Don’t over think the import process, as importing Targa sequences is just as easy as regular clips.
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