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Media Composer

Let’s Edit with Media Composer – DCP Creation Part 1 – Setup

n this lesson, designed to compliment an article written over at ProVideo Coalition, Kevin P McAuliffe talks about how to set up your timeline for exporting for DCP creation. We cover how to convert your timelime from HD to DCP Flat (1.85:1) aspect, how to apply the XYZ LUT, and where to find it, and

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Media Composer

Media Composer® 7 ‒ Hi-Res Workflows Featuring FrameFlex™ ‒ Avid

Acquire high-resolution media and deliver in HD—with full creative control of reframing. More content today is shot with high-res cameras, but the majority of programming is still HD. With the new FrameFlex tools, you can immediately start working in HD directly from high-res sources and maintain full creative control of the image reframing and keyframing,

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Media Composer

Avid Media Composer/Symphony 7 in 4 minutes

Screen recorded using my 2008 Macbook Pro so bare with the lags. These are the key new features I’m excited about in the latest update to Avid Media Composer and Symphony. For more info on all the new features look at the official Avid Documentation here: http://avid.force.com/pkb/articles/en…

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