Overview of how to work with color spaces in Avid, focusing on how to adjust import and export options correctly depending on whether you’re using HDR (high-dynamic range), SDR, or mixing both. Also includes (at end) quick tutorial on converting between HDR and SDR in Davinci Resolve. 0:00 what is HDR1:34 example of how HDR
Learn how to output and optimize your Media Composer video for smooth playback on YouTube. ▶️ https://bit.ly/3gcLgPD
While it has been three years now, there are still many who have yet to make the jump from the old Avid Media Composer UI (2018 versions and earlier) to the “new” UI (2019.6 and later) and for perfectly valid reasons. There’s always issues with being an early adopter. Though now many post production facilities
This video will show how to get round importing MP4 files or other codec / wrappers that wont transcode into Avid. I show you how to use Resolve and media manage and import into Avid MediaFiles folder to solve issue.
Wrapping up the year with a new release of Avid Media Composer that includes more enhancements to the user interface, support for H.265/HEVC media, docking tools to floating bins and panels, Avid Titler + updates, selecting color spaces and AAC audio for export, some fantastic new improvements to the Audio Mixer and so much more.
This is a very good video going through most you need to know about Assistant Editing for Reality Television Video is almost 5 hours long, and exceptionally good. 0:10:47 Editorial Teams0:11:35 Responsibilities0:14:18 The Process0:16:38 The Post Wokflow0:20:27 The Fundamentals of Video0:20:59 Resolution0:26:32 Interlacing0:40:26 Timecode0:41:53 Codec0:48:57 Bitrate0:50:37 Video Container1:07:22 Creating and Organizing an Avid Project1:16:42 Avid