Love it or hate it, Avid Media Composer is the dominant editing platform for film and television. It’s used in edit suites from New Zealand, to the UK, to Germany and the USA (I’ve worked in 3 of those, guess which!). Yet despite it being so widely used there are a number of REALLY amazing
This video will show you how to relink avid native to other drives, whilst allowing you to still decompose and relink your Avid Proxy to RAW
This video will show you how to simply import linked media, transcoded to proxy, edit and relink back to native media
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In this tutorial we learn how to transcode a multicam shoot into a proxy media format suitable for real-time camera angle switching. We then see how to link back to the original source media for finishing. Next, we flattened the multicam edit, mix it down to a high-quality DNxHD codec and output it as a
Spend more time being creative by automating media tasks in the background. Gain more time for creativity with new features that accelerate and simplify file-based workflows. With Dynamic Media Folders, non-creative media tasks such as transcoding, copying, and consolidating can be automated in the background, without disrupting your editorial flow. Plus, you’ll get peace of
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