Hey Guys! This one is just to cover making DNx transcodes for Avid in DaVinci Resolve. I’ve seen a bunch of people run into issues with this in the forums if they’ve never done it before. So this will take you through the whole thing. Applying LUTs, making sure metadata is intact, even creating ALEs
This video will show how to get round importing MP4 files or other codec / wrappers that wont transcode into Avid. I show you how to use Resolve and media manage and import into Avid MediaFiles folder to solve issue.
In this lesson, Kevin P McAuliffe continues his discussion on how to create dailies for Media Composer from different applications, and in this lesson, we’re focusing on DaVinci Resolve! Footage courtesy of Cinestudy – vimeo.com/framelines Channel: www.youtube.com/letseditMC_avidFacebook: https://www.facebook.com/LetsEditwithMediaComposerTwitter: @kpmcauliffee-mail: firstname.lastname@example.org
Step 7: Syncing Audio and video in Avid Media Composer Learn how to create, modify and manage a sync map sequence using timecode, then sync double-system audio and video clips in Avid.
Step 6: Importing and Organizing Audio Files in Avid Media Composer Learn how to import audio files into Avid, assign and manage clip metadata in preparation for syncing to video.
Step 5: Organizing video dailies in Avid Media Composer Learn how to manage metadata on video files in Avid Media composer, including copying column data and best practices for setting up your bins.
Step 4: Importing ALE files to Avid Media Composer and relinking master clips to MXF media Learn how to import ALE files into Avid, view bin metadata, and relink master clips to MXF media files.
Step 3: Exporting media and metadata from Resolve for Avid Media Composer Learn how to render Avid MXF files from Resolve, and export ALE files (bin metadata) for Avid Media Composer.
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to Avid Media Composer.
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
See how writer/director/editor Damien LeVeck used Sapphire effects to create a visual style and mood in his original film “The Cleansing Hour” using the Sapphire Effect Builder!
In this lesson, Kevin P McAuliffe wraps up his introductory look at 4K workflows inside of Avid Media Composer by showing you how to easily “roundtrip” your sequence from Media Composer to DaVinci Resolve, and back again. This tutorial is essential as color correction is a key step in your online workflow.
Tutorial on exporting from Media Composer, then importing into resolve. Then some simple grading examples, and export back to media composer.