In this lesson, Kevin P McAuliffe continues his discussion on how to create dailies for Media Composer from different applications, and in this lesson, we’re
Step 7: Syncing Audio and video in Avid Media Composer Learn how to create, modify and manage a sync map sequence using timecode, then sync
Step 6: Importing and Organizing Audio Files in Avid Media Composer Learn how to import audio files into Avid, assign and manage clip metadata in
Step 5: Organizing video dailies in Avid Media Composer Learn how to manage metadata on video files in Avid Media composer, including copying column data
Step 4: Importing ALE files to Avid Media Composer and relinking master clips to MXF media Learn how to import ALE files into Avid, view
Step 3: Exporting media and metadata from Resolve for Avid Media Composer Learn how to render Avid MXF files from Resolve, and export ALE files
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
See how writer/director/editor Damien LeVeck used Sapphire effects to create a visual style and mood in his original film “The Cleansing Hour” using the Sapphire
In this lesson, Kevin P McAuliffe wraps up his introductory look at 4K workflows inside of Avid Media Composer by showing you how to easily
Tutorial on exporting from Media Composer, then importing into resolve. Then some simple grading examples, and export back to media composer.
Welcome to the fifth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this final
ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more