http://library.creativecow.net/mcauliffe_kevin/Switching-NLEs-6 To finish off our introductory look at Avid’s Media Composer, Kevin P McAuliffe takes a look at outputting both to tape, and to a file. This way, whether you need to output your final show for a client, or get a file ready to work with in After Effects, you’re going to be covered!
http://library.creativecow.net/mcauliffe_kevin/Switching-NLEs-5 In this lesson, Kevin P McAuliffe shows you Media Composer’s "Go To" effect, the 3D Warp, and how easy it is to create basic titles for your sequence. Then, to wrap it all up, he shows a great and often overlooked feature of the basic title tool, that will have you staying in your
http://library.creativecow.net/mcauliffe_kevin/Switching-NLEs-3 The focal point of your Media Composer project is your bins, and in this tutorial, Kevin P McAuliffe talks about bins, setting up different bin views, and the different layouts you can use to organize your footage.
http://library.creativecow.net/mcauliffe_kevin/Switching-NLEs-2 Every project starts with acquiring footage and in this tutorial, Kevin P McAuliffe looks at not only digitizing footage, but importing and the new Avid “AMA Link to” feature as well.
http://library.creativecow.net/mcauliffe_kevin/Switching-NLEs-1 If you aren’t happy with the direction that Apple has decided to go, and want to switch NLE’s, this in-depth look at Avid’s Media Composer is for you. Looking at FCP7 and Media Composer side by side, in lesson one, we start by looking at the differences between how projects are handled, and how