In this lesson, Kevin P McAuliffe talks about Transcoding. We’ve talked in Lesson 5 about working with Avid “friendly” media. Now we need to talk about footage that requires a recompression to Avid Media, for you to work with in your Media Composer timelines. Whether it’s in an offline or online scenario, there is some
It’s important to understand terms like AMA Linking, Consolidating, Transcoding and Importing when working with Avid. Today we want to talk about some basics and how to get your footage into Media Composer. Follow me on instagram: https://www.instagram.com/hanstheeditor You have an Avid Media Composer tutorial request? Send me a message!
In this lesson, Kevin P McAuliffe talks about probably the most important Media Composer lesson you will learn, and that is about understanding Native Media Composer codecs. Understanding this concept will change the way you bring media into your projects, and have you doing it properly, and avoiding creating multiple projects to bring media into
In this lesson, Kevin P McAuliffe finishes his in-depth look at Transcoding by talking about working with larger than HD material. There are so many factors to keep in mind such as Source Settings, Proxy Timelines and Timeline Quality. This lesson will make sure you’re transcoding your larger than HD footage correctly every time!
In this lesson, Kevin P McAuliffe continues the discussion on Transcoding in Avid Media Composer, and talks about two different methods you might use to transcode your original camera media, into native MXF files.
In this week’s lesson, Kevin P McAuliffe looks at the process of Transcoding. The first lesson in Transcoding focuses on the Linked to clips in your bins, and shows you how many “under the hood” features need to be considered and adjusted, before you can do the actual transcoding.