http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_9 In this lesson, Kevin P McAuliffe talks about export settings, and how with a little forward thinking, you will be able to create multiple export templates, so exporting your final product is as simple as clicking a little checkbox.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_8 In this lesson, Kevin P McAuliffe talks about organizing your editing interface by adjusting your Composer settings. These settings, if used and set correctly, will give you all the timecode information you need when editing, without having to searching through bins to find it.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_7 In this lesson, Kevin P McAuliffe picks up right where he left off in part 1, and shows you how to log clips for batch capturing, and then gets in and shows you the capture settings you’re going to want to know, to get your footage into Media Composer as quickly as possible. He
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_6 In this lesson, Kevin P McAuliffe continues his talk about settings, this time talking about the capture setting, and he gives a tour of the capture tool, and gives some tips on how to get yourself even more organized when you are editing.
Excerpt from Avid 6 Core Training by Steve Kanter
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to Avid’s Media Composer 6. You will get a basic overview of the application and go through the steps of importing footage.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to some basic trimming techniques in Avid Media Composer 6.
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
Learn how to create a customized wind blur effect using Avid Media Composer’s paint functionality
I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then we go to Avid for AMA native R3D playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with mastering at 1080 and grading DNxHD444
Works for all AVCHD cameras Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: avid.com/ama I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native AVCHD playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback, then cut offline DNxHD36 files and relink to the originals, and then wrap up with encoding for the web using Sorenson Squeeze 8.5 and x264. Follow me on twitter for
Working with Avid Media Composer 6 Title Tool – Excerpt from Avid 6 Core Training
Exporting Media from Avid Media Composer 6 – Excerpt from Avid 6 Core Training
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