Learn how to create a speed ramp effect within Avid Media Composer. You’ll also learn how to slow down the audio using Media Composer’s set
Everything you ever wanted to know about stereo tracks, a new feature in Media Composer 5. This is a seven part series with Audio
NOTE: This version of the tutorial is slightly shortened because of Youtube length limitations. Deal with the various Audio Settings in Media Composer. This
In this episode of The Rough Cut, we meet writer/director Steven Sprung and writer/producer Michael Bershad to talk about the concept and story behind their
Create a Secondary Color Correction with a Garbage Matte in Media Composer. It plays in real-time! http://www.avidscreencast.com/asc40
Learn how to use Avid FX (think Boris FX) with Avid Media Composer to create giant crawling text with video inside the letters. You can
Learn how to create an animate a light within Avid Media Composer Marquee Title tool.
Make the most of your media: http://apps.avid.com/make-most-media?cmpid=AV-SM-MTM-3 Going green in more ways than one, Discovery recently moved from tape to file-based workflows. “Everyone in the
ScriptSync® gives Media Composer® editors a greater level of efficiency and control over their media then they’ve ever had before. Editors can simply and quickly
With the new Smart Tool in Media Composer 5, you gain a faster and easier way of editing video alongside the established precision approach. Learn
Business is literally booming for Powderhouse Productions, one of the most explosive forces in today’s non-fiction TV entertainment industry. And that, according to Rob Kirwan,
NOTE: I had to trim this video down severely because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc36 With Media Composer 5, you
Indie Filmmaker Misha Tenenbaum weighs in on Media Composer 5.
Avid’s Matt Feury interviews Editor Jason Stewart (Minute to Win It, World’s Greatest Dad) about the latest Media Composer release (v5).
NOTE: I had to trim this video down severely because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc35 A short introduction to the
Subscribe to Buzz: http://www.avid.com/buzz?cmpid=AV-SM-MC5-6 Avid’s Matt Feury talks to NLE guru and seasoned pro Steve Cohen about Media Composer 5 and where Avid is today.
Hear what professional editors and beta testers have to say about working with Media Composer 5—from the new Smart Tool and direct RED and QuickTime
In this episode, we’ll transition into a title by starting with a blur and then slowly letting it focus. To do this we’ll have to
Avid Exclusive: Meagan Keane of Avid Artist Relations interviews Avatar producer Jon Landau. Landau discusses the creative process behind the highest grossing film in history
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc28 In the final installment of the
In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the
The final installment in my three part Cheesy Transitions series. As usual, everything is done right inside Media Composer. This is one very, very powerful
Christopher Nelson, ACE Editor of LOST and Mad Men, talks with Meagan Keane about what students need to learn in school to be successful in
One of the most common tasks when doing color correction is matching two shots. So this week and next, we’ll do exactly that. As always,
In last week’s episode, we chnaged the color balance of a shot with curves. This week we’ll do the same thing with the color wheels.
At the heart of the Integrated Media Enterprise, Interplay is an Enterprise Media Asset Management solution. Providing individual contributors with the media they need, where
If you dont have a Nitris DX- or Mojo DX-based system, Media Composer 5 opens the door to third-party workflows, enabling you to monitor video