How To Apply Chroma Keying in Avid Media Composer
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How To Apply Chroma Keying in Avid Media Composer

ByFredrik Liljeblad

Watch as Mike takes you through the steps to Apply Chroma Keying in Avid Media Composer. Mike is one of our Post Production Training Professionals with over 20 years experience in working in the Post Production industry, from the BBC through to a freelancer career editing in numerous Soho Post houses. Get more indepth training…

How To Apply LUTs in Avid Media Composer
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How To Apply LUTs in Avid Media Composer

ByFredrik Liljeblad

Watch as Mike takes you through the steps to Applying LUTs to your Media Composer project. Mike is one of our Post Production Training Professionals with over 20 years experience in working in the Post Production industry, from the BBC through to a freelancer career editing in numerous Soho Post houses. Get more indepth training…

Let’s Edit with Media Composer – Sending Sessions to ProTools
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Let’s Edit with Media Composer – Sending Sessions to ProTools

ByFredrik Liljeblad

One of the most common Media Composer workflows is sending your Media Composer timeline, specifically the audio, to ProTools to have an audio engineer give it the much needed mix it needs, so your final product can be sent to stations, theatres, or wherever else it might be going. With that said, there are some…

Let’s Edit with Media Composer – Working with 2:3 Pulldown
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Let’s Edit with Media Composer – Working with 2:3 Pulldown

ByFredrik Liljeblad

There’s nothing more frustrating that having 1080i clips, that you know were acquired in 23.976, and dropping them into your timeline, only to have them look terrible. Well, if you look closely enough in the Motion Effects editor, there’s a great tucked away feature to add 2:3 pulldown to your footage. What does this mean…