Version and archive finished sequences with AS-02 With support for the AS-02 MXF mastering format through AMA, managing multiple versions of the same sequence is easy, as AS-02 packs everything into a single bundle without duplicating assets, saving storage space. Seamlessly move content between Avid and other systems that support AS-02. Use JPEG 2000, DNxHD,
Many people don’t realise the power of Media Composer’s ability to have effects on ‘filler’ – it’s a lot like an adjustment layer in Photoshop. With a little experimentation it can deliver some great results.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_14 In this lesson, Kevin P McAuliffe talks about working with basic transitions in your timeline. He shows you the long way, and the short way to access the effects, and also shows you everything you need to know to adjust transitions once they’ve been applied in your timeline, as well as quick ways to
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Learn to edit like a pro regardless of past software experience. Avid Master Editor, Steve Hullfish, will guide you through a series of information-packed lessons.
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for hiding jump cuts.
Manhattan Edit Workshop Director of Education Janet Dalton’s Avid Tutorial for using the Quick Trim tools.
Manhattan Edit Workshop Director of Education Janet Dalton’s Tutorial for Filling Titles With Video in Avid Media Composer 6.
Media Composer 6.5 Family is designed to eliminate bottlenecks, enabling you to work faster than ever. See what’s new in Media Composer 6.5 Family http://www.avid.com/US/products/media-composer/features?cmpid=70140000000UMm0
An Avid editor recently inquired regarding how to draw a custom shape to create an alpha in Avid FX. Boris FX Senior Product Manager Dirk De Jong created this screencap to show how it’s done. You can view the original Avid Community Forums thread at http://community.avid.com/forums/p/112470/651199.aspx
There was a huge buzz in the industry when we released Media Composer® 6, Symphony™ 6, and NewsCutter® 10 last year with 64-bit performance, third-party I/O workflows, stereoscopic 3D, hands-on Artist Series controller support, and a slick new interface. And now they’re even better—meet the new Media Composer 6.5 family, featuring: • New versioning and
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_13 In this lesson, Kevin P McAuliffe walks you though the basics of editing, and discusses one of the most fundamental processes all editors need to understand, and that is 3-point editing.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_12 In this lesson, Kevin P McAuliffe wraps up his look at the main settings you will need to get up and running in Media Composer by looking at the Marquee Title, Media Creation, Timeline and Workspace settings.
In this Boris TV episode, Kevin P. McAuliffe shows you how to remove flicker from video or fix pesky auto-iris camera issues using Boris Continuum Complete’s Flicker Fixer filter in Avid Symphony.
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_11 In this lesson, Kevin P McAuliffe shows you the last two “common” ways to bring footage into Media Composer, and that is importing and AMA linking to, and discusses why it’s important that FCP editors switching to Media Composer are going to want to pick the right one, so they are up and running
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