library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_11 In this lesson, Kevin P McAuliffe shows you the last two “common” ways to bring footage into Media Composer, and that is importing and
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_10 In this lesson, Kevin P McAuliffe discusses probably the most important setting, and that is the keyboard setting. He also shows you, how in
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_9 In this lesson, Kevin P McAuliffe talks about export settings, and how with a little forward thinking, you will be able to create multiple
Steve Holyhead demonstrates the use of images and logos inside Titler Pro and Avid Media Composer.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_8 In this lesson, Kevin P McAuliffe talks about organizing your editing interface by adjusting your Composer settings. These settings, if used and set correctly,
In this tutorial, Steve Holyhead shows us how to create main titles and custom transitions inside Avid Media Composer.
In this tutorial, Steve Holyhead shows us how to create lower thirds using NewBlue Titler Pro inside Avid Media Composer.
Steve Holyhead demonstrates the power of Titler Pro inside Avid Media Composer in this tutorial covering Titler Pro basics and templates.
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_7 In this lesson, Kevin P McAuliffe picks up right where he left off in part 1, and shows you how to log clips for
You may have heard about the ways in which Media Composer can save you copious amounts of time in the editing suite. Now we’d like
An overview of how to use eyeon Connection AVX2 for Media Composer/Symphony See the eyeon Connection manual for complete product details http://eyeonfusion.vfxpedia.com/downloads/Connection_Install.exe
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_6 In this lesson, Kevin P McAuliffe continues his talk about settings, this time talking about the capture setting, and he gives a tour of
eyeon Connection for Avid Media Composer and Avid Symphony
Excerpt from Avid 6 Core Training by Steve Kanter
Follow Matt on Twitter – http://twitter.com/MattFeury In our 40th episode of The Rough Cut, Matt sits down with Producer and Director, Doug Liman (Swingers, The
Media Composer 6, Symphony 6, and NewsCutter 10 all feature some important updates and enhancements to the Keyframe Editor. Find out what changes we made—and
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to Avid’s Media Composer 6. You will get a basic overview of the application
In this tutorial, Chesapeake System’s software trainer Luis Sierra introduces you to some basic trimming techniques in Avid Media Composer 6.
In this tutorial, Chesapeake System’s software trainer Luis Sierra goes over how to add elements to a rough cut including video transitions.
Learn how to create a customized wind blur effect using Avid Media Composer’s paint functionality
On May 17, 2012, Steve Holyhead demonstrated how to create stunning light effects with Boris Continuum Complete 8 AVX. Attendees learned how to create cinematic
I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then
Works for all AVCHD cameras Make sure to download the AVCHD plugin from Avid’s website. It’s required for this workflow: avid.com/ama I’m using Symphony 6
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback,
ARRI’s line of ALEXA cameras has become popular among filmmakers, as the cameras can digitally capture the cinematic look of film. And now these cameras
Working with Avid Media Composer 6 Title Tool – Excerpt from Avid 6 Core Training
Exporting Media from Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Working with Avid’s Trim Tools – Excerpt from Avid 6 Core Training
Creating Transitions in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Creating a Storyboard Edit in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
Importing footage into Avid Media Composer 6 – Excerpt from Avid Core Training
Working with Avid Media Composer 6 Capture Tool – Excerpt from Avid 6 Core Training
Working with the Audio Mixer in Avid Media Composer 6 – Excerpt from Avid 6 Core Training
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_5 In part two at our look at Bins inside of Media Composer/Symphony, Kevin P McAuliffe gets more in-depth with organization, and shows you some
With the latest versions of Media Composer, Symphony, and NewsCutter, you can now record, edit, and mix audio in up to 7.1 surround. Learn about
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_4 In part one of this two part look at Bins, Kevin P McAuliffe talks about creating not only customized bin views, but also shows
http://library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_3 In this lesson, Kevin P McAuliffe begins at the top of the Settings window by looking at the Audio and Audio Project settings, and
In this lesson, Kevin P McAuliffe introduces you to the Media Composer interface, talks about Bins and the important part they play in your workflow,
In this Avid Media Composer video tutorial, you’ll learn to use Source Side reformatting to adjust the aspect ratio of clips in your Media Composer
From the most prestigious, award-winning productions, to music and movies made at home, Avid creates the technology that people use to make the most listened
In this video tutorial, you’ll learn to use Record Side reformatting to adjust the aspect ratio of clips in your Media Composer sequence. The technique
In this Media Composer tutorial from Splice Training, you’ll learn to identify and remove matchframe edits in the timeline, how to locate flash frames and
Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With
Imagine you need to produce a new, high-end reality show that features a few wrinkles TV audiences have never seen before. With the power to
Imagine you’ve got a stadium full of fans you need to get out of their seats and onto their feet. Now you can achieve a
Media Composer 6 107: Exporting and Sharing by Jeff Greenberg Video 27 of 35 for Media Composer 6 107: Exporting and Sharing All the cuts
Media Composer 6 107: Exporting and Sharing by Jeff Greenberg Video 12 of 35 for Media Composer 6 107: Exporting and Sharing All the cuts
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