
How to simply reset Avid Permissions
This video will show you how to reset Avid if you’re having a performance issues. Using MCState and Media Database file reset

This video will show you how to reset Avid if you’re having a performance issues. Using MCState and Media Database file reset

LUTs (Lookup Tables) can be helpful and are sometimes necessary to convert Log footage into Rec 709 or other more dynamic color spaces. In this Avid Media Composer Tutorial I demonstrate how to apply LUTs to your source footage, bake it into your clips and ways to apply LUTs just within your timeline. Chapters: 0:09

Hey Guys! This one is just to cover making DNx transcodes for Avid in DaVinci Resolve. I’ve seen a bunch of people run into issues with this in the forums if they’ve never done it before. So this will take you through the whole thing. Applying LUTs, making sure metadata is intact, even creating ALEs

Love it or hate it, Avid Media Composer is the dominant editing platform for film and television. It’s used in edit suites from New Zealand, to the UK, to Germany and the USA (I’ve worked in 3 of those, guess which!). Yet despite it being so widely used there are a number of REALLY amazing

Hey Guys, thanks for watching. Some nice new (if subtle) additions to Avid Media Composer in 2022.7

Hey Guys! Thank-you so much for watching!! You can treat this video as an FAQ of common support tips for Avid Media Composer. These are the most common fixes to various problems I could find and they have got my Avid back up and running in no time on countless occasions so I really hope

Hey Guys, so since easily the most popular video so far was the first one going through some great features that may not be well-known in media composer, I decided to go for round 2! I’ve gathered a further 9 very useful features that some other Editors and Assistants have told me they didn’t previously

While it has been three years now, there are still many who have yet to make the jump from the old Avid Media Composer UI (2018 versions and earlier) to the “new” UI (2019.6 and later) and for perfectly valid reasons. There’s always issues with being an early adopter. Though now many post production facilities

While it has been three years now, there are still many who have yet to make the jump from the old Avid Media Composer UI (2018 versions and earlier) to the “new” UI (2019.6 and later) and for perfectly valid reasons. There’s always issues with being an early adopter. Though now many post production facilities

While it has been three years now, there are still many who have yet to make the jump from the old Avid Media Composer UI (2018 versions and earlier) to the “new” UI (2019.6 and later) and for perfectly valid reasons. There’s always issues with being an early adopter. Though now many post production facilities