Tag: 4k

Media Composer

Let’s Edit with Media Composer – 4K Multicam Off/Online

In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version

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Media Composer

Let’s Edit with Media Composer – 8K 4K 2K Offline/Online Part 2

In this lesson, Kevin P McAuliffe continues the discussion on 8K/4K/2K workflows by discussing Relinking, and how you’ll use it, much more successfully than in the past, to link back to your larger than HD footage for your online, and then he’ll move onto talking about working with clips with different frame rates in one

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Media Composer

Let’s Edit with Media Composer – 8K 4K 2K Offline/Online Part 1

I this lesson, Kevin P McAuliffe goes in-depth into Media Composer’s 2K/4K/8K and higher offline/online workflows. If you are working in Media Composer in a larger than HD project, and want to do an offline first, this tutorial is an absolute must. Learn how to set your projects up correctly from the beginning, so you

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Media Composer

Avid Media Composer 8.5 Update by Michael Krulik

Avid’s Michael Krulik details updates included in the latest Media Composer 8.5, and in particular related to 4K workflows. Presented as part of the Digital Cinema Society 2015 Post event, “4 Ways to a 4K Finish.” (Note: This video was previously embargoed pending the release of Media Composer 8.5)

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Media Composer

Get Started Fast with Media Composer for High-Res Workflows—Episode 5

Welcome to the fifth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this final lesson Kevin P McAuliffe shows us how to export larger than HD media and create high-res masters from Media Composer, but also focus on Resolve roundtripping, as well as exporting

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Media Composer

Get Started Fast with Media Composer for High-Res Workflows—Episode 3

Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as

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Media Composer

Get Started Fast with Media Composer for High-Res Workflows—Episode 2

Welcome to the second episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. This lesson focuses on the core concept of linking and transcoding, and everything an editor or assistant editor needs to know to make sure their media appears properly, and in the right codec

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Media Composer

Get Started Fast with Media Composer for High-Res Workflows—Episode 1

Welcome to this first episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this lesson Kevin P McAuliffe will give you a general overview of setting up a larger than HD project, and I’ll discuss more of the basic concepts of Media Composer, with the

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