Welcome to the second episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. This lesson focuses on the core concept of linking and transcoding, and everything an editor or assistant editor needs to know to make sure their media appears properly, and in the right codec and resolution, in their project. I will cover:
00:45 Downloading AMA plug-ins
02:02 Linking to high-res files
05:05 Working with FrameFlex
07:28 Transcoding the linked high-res footage.
Watch the other episodes of ‘Get Started Fast with Media Composer for High-Res Workflows’ at http://www.avidblogs.com/get-started-…
Through Avid Everywhere™, Avid delivers the industry’s most open, innovative and comprehensive media platform connecting content creation with collaboration, asset protection, distribution and consumption for the most listened to, most watched and most loved media in the world—from the most prestigious and award-winning feature films, to the most popular television shows, news programs and televised sporting events, as well as a majority of today’s most celebrated music recordings and live concerts. Industry leading solutions include Pro Tools®, Media Composer®, ISIS®, Interplay®, ProSet and RealSet, Maestro, PlayMaker, and Sibelius®. For more information about Avid solutions and services, visit http://www.avid.com, connect with Avid on Facebook, Instagram, Twitter, YouTube, LinkedIn, or subscribe to Avid Blogs.