Media Composer
Let’s Edit with Media Composer – DCP Creation Part 1 – Setup
n this lesson, designed to compliment an article written over at ProVideo Coalition, Kevin P McAuliffe talks about how to set up your timeline for
2017-08-01
Tag: luts
Media Composer
Let’s Edit with Media Composer – ADVANCED – Working with LUT’s
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re not as simple to get installed
2016-07-10
Media Composer
Soft-Clip Legaliser for broadcast safe video in Avid Media Composer
Designed especially for Avid Media Composer, this LUT legalises video levels to be broadcast safe. RGB and Luma are corrected to be within EBU-R103 gamut
2016-04-24
Media Composer
Avid Media Composer 8.5 Update by Michael Krulik
Avid’s Michael Krulik details updates included in the latest Media Composer 8.5, and in particular related to 4K workflows. Presented as part of the Digital
2016-02-01
Media Composer
Get Started Fast with Media Composer for High-Res Workflows—Episode 3
Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video,
2015-12-17
Media Composer
Get Started Fast with Media Composer for High-Res Workflows—Episode 2
Welcome to the second episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. This lesson focuses
2015-12-10
Media Composer
TECH TALK – Media Composer: Color Space Management Basics
Presented by: Daniel Huber For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn
2015-11-19
Media Composer
Tech Talk: Viewing ALEXA Log C files in Media Composer 8.1
Working with ALEXA Log C ProRes and DNxHD material in AVID Media Composer 8.1. How to AMA link and transcode clips and apply external 3D
2014-10-30
Avid DS
Avid DS Introduction to LUTs Part 1 of 2
The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although
2013-01-12
