Tag: luts

Media Composer

How To Apply LUTs in Avid Media Composer

Watch as Mike takes you through the steps to Applying LUTs to your Media Composer project. Mike is one of our Post Production Training Professionals with over 20 years experience in working in the Post Production industry, from the BBC through to a freelancer career editing in numerous Soho Post houses. Get more indepth training

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Media Composer

Let’s Edit with Media Composer – DCP Creation Part 1 – Setup

n this lesson, designed to compliment an article written over at ProVideo Coalition, Kevin P McAuliffe talks about how to set up your timeline for exporting for DCP creation. We cover how to convert your timelime from HD to DCP Flat (1.85:1) aspect, how to apply the XYZ LUT, and where to find it, and

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Media Composer

Let’s Edit with Media Composer – ADVANCED – Working with LUT’s

In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re not as simple to get installed in Media Composer as they are in other applications, as they are treated more like AMA Linked to parameters, as opposed to effects, but once installed, they can be worked

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Media Composer

Avid Media Composer 8.5 Update by Michael Krulik

Avid’s Michael Krulik details updates included in the latest Media Composer 8.5, and in particular related to 4K workflows. Presented as part of the Digital Cinema Society 2015 Post event, “4 Ways to a 4K Finish.” (Note: This video was previously embargoed pending the release of Media Composer 8.5)

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Media Composer

Get Started Fast with Media Composer for High-Res Workflows—Episode 3

Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as

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Media Composer

Get Started Fast with Media Composer for High-Res Workflows—Episode 2

Welcome to the second episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. This lesson focuses on the core concept of linking and transcoding, and everything an editor or assistant editor needs to know to make sure their media appears properly, and in the right codec

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Media Composer

TECH TALK – Media Composer: Color Space Management Basics

Presented by: Daniel Huber For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn how to properly represent and maintain color values when importing, exporting, or linking to sources. And recognize the differences when media is displayed on source, record, and client monitors.

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Avid DS

Avid DS Introduction to LUTs Part 1 of 2

The proliferation of digital camera formats over the last decade has introduced entirely new color management concepts into a once straightforward editorial color pipeline. Although this tutorial by Igor Ridanovic of HDhead.com looks at Avid DS specific color management tools, it also lays down the basic groundwork necessaryto understand lookup tables (LUTs) and their use

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