The editorial and sound teams from season three of Netflix’s Stranger Things join Avid’s Matt Feury to discuss their collaborative process and what went into creating some of their favorite scenes. LEARN MORE https://www.avid.com/all-access-video
Category: Customer Stories
Your studio’s closed, who knows when it’s going to reopen. How do you continue delivering studio quality experiences without being in the studio? What options are out there editing on demand? Join Microsoft’s The Control Room for a discussion with leaders from Avid and Teradici on the innovative ways people are delivering studio quality work
Recorded live at the September 2019 lacpug Meet; Editor Lawrence Jordan ACE and VFX editor Jose Marra showed us their editing process on the VERY heavy VFX movie starring Marlon Wayons, SEXTUPLETS, where Marlon Wayons plays seven characters.
Editor Tom Cross gives you a guided tour of his incredible work on the movie, First Man. To hear the full interview with Tom, visit: www.theroughcutpod.com
For someone who admits that he “never wanted to become an editor, I fell into it,” Tim Porter has amassed a pretty formidable list of editing credits over the last decade – including long-running TV series Shameless, Doctor Who and, most recently, Game of Thrones.
Discover how Avid shared storage and the Avid Artist | DNxIO video interface provide Warrior Poets with the cutting-edge workflows they need to produce the high-quality and engaging content that audiences demand. Production teams can access and share media instantly, work with media in any resolution, and turn around demanding projects fast. And thanks to
Editor Barney Pilling ACE, (Academy Award Nominee, The Grand Budapest Hotel) had been looking for a product like the ISIS | 1000; an affordable solution for smaller post-production houses with the same shared storage capabilities as the industry-proven Avid ISIS systems. “It was a bit of a hallelujah moment. The ISIS | 1000 is the
Heralded as one of the most iconic television series of all time, Vince Gilligan’s Breaking Bad kept audiences on the edge of their seats for five-straight seasons and challenged them to embrace characters that staggered back and forth over the line between hero and anti-hero. Kelley Dixon ACE, Skip MacDonald ACE, Chris McCaleb, and Sharidan
Documentary filmmaker Morgan Spurlock (Super-Size Me, The Greatest Movie Ever Sold) is proof that self-made success can be had. And with today’s increasing content demand, there’s never been a better time to get your game on. See our special presentation with Morgan from NAB 2012. We discuss how unique ideas, the right tools, and a
ACE Editor Mark Sanger’s work on the 2013 thriller “Gravity” helped the film win seven Academy Awards, including Best Visual Effects. To create the immersive sensory experience critics raved about, Director Alfonso Cuarón took the unusual approach of giving his editing team a lead role in the pre-production process. In this episode of The Rough
Editor Alan Edward Bell, ACE is known for his innovative work. His collaboration with director Francis Lawrence on “The Hunger Games: Catching Fire”, turned into a blockbuster film that has grossed over $800 million at the box office. In this behind the scenes interview, Bell offers valuable tips for advancing your career in the industry.
Veteran editors Sean Albertson (left) and Paul Harb (right) have a deep history working closely with Sylvester Stallone on action films like Rambo, Rocky Balboa, and their newest collaboration, The Expendables 3. Sean and Paul first joined forces with Sly to edit the film, Rocky. They developed a bond while working together with a team of
Today’s broadcast industry is going through unprecedented change. In order to survive and thrive in this transformative era, broadcasters need to increase collaboration among their teams, optimize the value of their media assets, and deliver higher-quality media that engages audiences on multiple screens. Our Avid Everywhere vision for broadcast solves these unique needs by providing
Avid Everywhere is our strategic vision for helping content creators and media organizations connect with consumers more powerfully, efficiently, collaboratively, and profitably. Video professionals and post-production houses are facing unprecedented challenges. As media technology continues to evolve, projects are getting larger and more complex. It has become necessary to connect creative professionals in distributed workflow