Have tons of media? Need to hit tight deadlines and win more work? See how one indie studio switched to Media Composer® and did just that. Editors tell us time and again that collaboration is the key to success in today’s post environment. More professionals build their businesses, and they’re reputations, with Avid®.
Category: Customer Stories
We sit down with Chris Nelson A.C.E. Editor of Lost, Mad Men, and Six Feet Under to discuss his career in post-production and the challenges editors continue to face in “fixing it in post”. This presentation was the keynote for the UFVA 2011 Conference, recorded on-site at Emerson College.
It’s more from Kevin Smith with Avid at NAB 2011! The day after his presentation at the Avid Main Stage, Kevin goes into more detail about Red State, takes questions from the audience and gives some great inspirational advice for those aspiring to be creative professionals.
Recorded live at our 2011 NAB Show main stage, legendary filmmaker Kevin Smith drops by to talk about his latest film, Red State. Kevin also talks about the many hats he wears as writer, director, editor and husband.
Award-winning, ACE-certified Media Composer is the editing choice of the most demanding professionals in film, TV, and video production. Paired with the PhraseFind and/or ScriptSync dialog search options, you have a powerful, creative tool to accelerate your storytelling.
When the Yankees shoot a “day in the life of Derek Jeter” segment for Yankees On Demand, a weekly hour-long program of exclusive Yankees content, they rely on an end-to-end Avid workflow specifically constructed for sports marketers.
Learn more: http://www.avid.com/US/products/family/Media-Composer?cmpid=AV-SM-MC5-3 With invisible, graceful editing and a workflow that makes the most of every hour of post-production—Media Composer raises the art of collaboration to new heights.
For a professional sports team like the Miami HEAT, it’s not just about what happens during the game. When the rest of the world goes to commercial, HEATV goes to air, firing up the HEAT franchise brand with a wide array of media assets managed by the Avid Interplay production asset management system. “The name
Golf Channel is the non-stop shop for golf on cable. Now, collaboration is the name of its game as it puts a fully-integrated, Interplay-based workflow into play. Instead of working from separate islands, each contributor has become a much more integral part of the production team. Comments Lindsay Vassar, Video Editor, “the best part of
See how filmmaker Robert Rodriguez’s Troublemaker Studios gave rise to a gripping new chapter in the Predator franchise, with help from an all-Avid workflow.
In this episode of The Rough Cut, we meet writer/director Steven Sprung and writer/producer Michael Bershad to talk about the concept and story behind their independent film “Dispatch”. Part 1: Writer/director Steven Sprung and writer/producer Michael Bershad to talk about the concept and story behind their independent film “Dispatch”. Part 2: Assistant editor Drew Sommer
Make the most of your media: http://apps.avid.com/make-most-media?cmpid=AV-SM-MTM-3 Going green in more ways than one, Discovery recently moved from tape to file-based workflows. “Everyone in the media industry knows that tape is extremely bad ecologically,” comments Clayton Dutton, Vice President of Post Production and Media Operations. But, just as important, Discovery now understands they can count