We are taking another look at managing color! Marianne explains how to leverage Media Composer’s attributes to create and use that perfect color again and again.
In this lesson, Kevin P McAuliffe talks about Source Settings. Understanding them is an exceptionally important step between linking to your footage, and transcoding it, which we’ll talk about in our next lesson. We’ll look at Color processing and Frameflex, as well as the ability to adjust RAW native parameters in the Source Settings window,
3h 23min exceptionally well done fundamental course. Check out https://www.assistbootcamp.com/webinars to check out our on demand webinars! Introduction 09:26Overview 13:18 Image – Resolution 15:19 – Aspect Ratio 32:07 – Interlacing 47:23 – Frame Rate 58:50 – Timecode 01:21:30Compression – Codecs 01:30:22 – Bit Rate 01:59:20 Color – Color Space 02:13:11 – Color Bit Depth 02:17:45
Watch as Mike takes you through the steps to Applying LUTs to your Media Composer project. Mike is one of our Post Production Training Professionals with over 20 years experience in working in the Post Production industry, from the BBC through to a freelancer career editing in numerous Soho Post houses. Get more indepth training
This video will show you how to change the Display Color Space for Full Screen Playback, Source, and Record in Avid Media Composer. The Display Color Space does not change our media, it lets us view our edit in different color spaces so we will KNOW what our video will look like once we export
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re not as simple to get installed in Media Composer as they are in other applications, as they are treated more like AMA Linked to parameters, as opposed to effects, but once installed, they can be worked
Welcome to the third episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this video, I will focus on editing in High Res projects specifically; starting with the concept of Color Encoding and FrameFlex adjustments, explaining how to use the Proxy Timeline, as well as
Presented by: Daniel Huber For all Media Composer users, learn how to overcome common color space challenges by examining RGB and 601/709 color mapping. Learn how to properly represent and maintain color values when importing, exporting, or linking to sources. And recognize the differences when media is displayed on source, record, and client monitors.
Working with ALEXA Log C ProRes and DNxHD material in AVID Media Composer 8.1. How to AMA link and transcode clips and apply external 3D LUT’s combined with CDL grading.