In this lesson, Kevin P McAuliffe talks about probably the most important Media Composer lesson you will learn, and that is about understanding Native Media Composer codecs. Understanding this concept will change the way you bring media into your projects, and have you doing it properly, and avoiding creating multiple projects to bring media into
View our on-demand webinar where Avid product expert Michael Krulik walks users through some of the new features of the Media Composer 2020.4 release
3h 23min exceptionally well done fundamental course. Check out https://www.assistbootcamp.com/webinars to check out our on demand webinars! Introduction 09:26Overview 13:18 Image – Resolution 15:19 – Aspect Ratio 32:07 – Interlacing 47:23 – Frame Rate 58:50 – Timecode 01:21:30Compression – Codecs 01:30:22 – Bit Rate 01:59:20 Color – Color Space 02:13:11 – Color Bit Depth 02:17:45
In this lesson, Kevin P McAuliffe talks about the newly released 2020.4 update to Avid Media Composer which, along with some exciting interface and under the hood updates, comes support for Mac OS Catalina. This, along with the implementation of the Universal Media Engine, new naming for Avid DNxHD files and some great in-application feature
Bob Russo explains the New Codecs and AMA workflow in Media Composer. Download the Avid AMA plugins from: http://www.avid.com/ama
You may have heard about the ways in which Media Composer can save you copious amounts of time in the editing suite. Now we’d like to show you Media Composer/FCP double agents—and those looking to expand your workflow—how fast and easy it is to work with ProRes using the latest Media Composer family software. Whether
Since being introduced in 2009, the AMA architecture has been expanded in Media Composer© 5.0 to include even more file-based formats. Now in MC5 users can directly link to and have immediate access to formats such as RED©, QuickTime© with H.264, QuickTime with ProRes, Canon’s new XF plug-in, the P2 DVCPRO© format, XDCAM HD, as
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