In this lesson, we’re taking it right back to the beginning. My Creative Cow tutorial series on Media Composer had millions of views, and it’s been a while since I’ve taken it back to the beginning to teach you how to use Media Composer right from starting up the application, but that’s what we’re doing
Welcome to the fifth episode of our 5-part tutorial series ‘Get Started Fast with Media Composer for High-Res Workflows’ on Avid Blogs. In this final lesson Kevin P McAuliffe shows us how to export larger than HD media and create high-res masters from Media Composer, but also focus on Resolve roundtripping, as well as exporting
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_80 In this lesson, Kevin P McAuliffe answers a viewer’s question about how to create client approval Quick Time files in MC/Symphony. To take things to the next level, Kevin also shows you how to create HD YouTube files ready to upload to show your work to the masses.
In this tutorial, Kevin P. McAuliffe shows us how to use Rampant FilmFX inside Avid Media Composer and Avid Symphony.
This video will show what settings you need to have to expoert HD material for uploading to Vimeo. Note: If your video is standard definition, set your data rate to 2000kbps and your display resolution to either 640×480 (4:3) or 640×360 (16:9). For more information and tutorials, please visit: vimeo.com/help/compression
Since being introduced in 2009, the AMA architecture has been expanded in Media Composer© 5.0 to include even more file-based formats. Now in MC5 users can directly link to and have immediate access to formats such as RED©, QuickTime© with H.264, QuickTime with ProRes, Canon’s new XF plug-in, the P2 DVCPRO© format, XDCAM HD, as