Oscar®-winning editor Stephen Mirrione, ACE says he “didn’t know anything” about Formula One before working on the film. But that didn’t matter once he read Joseph Kosinski’s script. The commitment to authenticity, deep research, and sheer ambition made the decision easy. His goal was to make a film where the racing serves the story—not the
Join THE BACKLOT filmmaking community: AVAILABLE NOW!!!https://backlot.imaginethatfilms.com Season 4 Timeline Breakdown:https://youtu.be/RXlM8sI18LI?list=PLNXTovi1JXOCGMtxK2qKZIjMXbuxZagRA Video Description:I’ve spent the last two and a half years working in post-production on Stranger Things Season 5, and in this video I’m finally revealing a piece of the process most people never get to see: The real editing timelines. Every episode starts the
Enjoying this breakdown? Go even further with “Backlot Access”, where I share exclusive editing workflows, timeline setups, and pro techniques I’ve used on major Hollywood shows throughout my career. Join the waitlist now and be the first to know when it launches: backlot.imaginethatfilms.com Video Description: Ever wonder what it takes to edit one of the
Video going into Avid Smart Toolshttps://youtu.be/OEyI9EQ_Aho If you liked this video here’s where you can find more of my content: Instagram (updates)instagram.com/theavidassistant Patreon (Exclusive membership perks and videos)patreon.com/theavidassistant Specs of my system at time of recording the videoMacBook Pro 16″ 2023M2 Max Chip with 12 CPU cores / 38 GPU coresMacOS Sonoma 14.3.1Avid Media Composer
As always, don’t forget to like, Subscribe and share this video across your social channels. In our last lesson we talked about Motion Effects, and I mentioned that to move on in our discussion, we needed to talk about Keyframes, so in this lesson, we’re going to dive head first into Keyframing, what purpose it
As always, don’t forget to like, Subscribe and share this video across your social channels. One thing that I like to do with these tutorials is to talk about topics that people who are either learning Media Composer for the first time, or are jumping in from another NLE, want to know right away and,
Part 7 of the Assistant Editing for Reality Television course on Assistbootcamp.com https://www.assistbootcamp.com/assistant-editing-for-reality-tv-webinar Chapters: 00:00:10 Exporting cuts overview00:02:06 Getting cuts from Editor00:07:27 Creating sequence template00:10:08 Track mapping00:13:20 In/out points checking00:15:24 Assembling acts into sequence00:20:34 Adding slates00:30:31 Show slate & head build00:34:28 Adding timecode burn00:36:20 QC00:38:05 Exporting options00:42:05 QC exported video00:44:00 Export without timecode00:45:31 Handling issues
Explore the mechanics of trimming with Media Composer’s Trim Mode feature and the keyboard. ▶️ https://bit.ly/3gcLgPD
Learn how to use Media Composer’s Ripple Trim Tool to lengthen or shorten shots in your sequence. ▶️ https://bit.ly/3gcLgPD
Learn how and when to use Media Composer’s Overwrite Trim tool to shorten or lengthen audio segments. ▶️ https://bit.ly/3gcLgPD
Learn how to effortlessly adjust a shot’s content with the Slip feature in the Media Composer Timeline. ▶️ https://bit.ly/3gcLgPD
Discover how to use Media Composer’s Slide feature to match a shot’s action to specific audio. ▶️ https://bit.ly/3gcLgPD
Explore using Media Composer’s dual-roller trim feature to finesse a cut point’s timing. ▶️ https://bit.ly/3gcLgPD
Discover how to use Media Composer’s Sync Lock feature to avoid sync breaks while trimming your sequence. ▶️ https://bit.ly/3gcLgPD
Learn how to use the Link feature to add audio to your Media Composer project. ▶️ https://bit.ly/3gcLgPD