In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color…
The final installment in my three part Cheesy Transitions series. As usual, everything is done right inside Media Composer. This is one very, very powerful application!
Christopher Nelson, ACE Editor of LOST and Mad Men, talks with Meagan Keane about what students need to learn in school to be successful in Hollywood.
One of the most common tasks when doing color correction is matching two shots. So this week and next, we’ll do exactly that. As always, I like working with the curves in Avid, but you should be able to use the skills learned in this tutorial when using the Color Wheels as well. Sorry for…
Learn the basics of Avid DS indexing, why it is important and how to manage your media files. This is a part 1 of 2. Click here for part 2 of 2
In last week’s episode, we chnaged the color balance of a shot with curves. This week we’ll do the same thing with the color wheels. http://avidscreencast.com/asc25 Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction…
At the heart of the Integrated Media Enterprise, Interplay is an Enterprise Media Asset Management solution. Providing individual contributors with the media they need, where and when they need it, Interplay enables you to do in minutes what once took hours.
If you dont have a Nitris DX- or Mojo DX-based system, Media Composer 5 opens the door to third-party workflows, enabling you to monitor video externally using the Matrox MXO2 Mini interface, which is available for Mac and Windows systems. When paired with Media Composer software, MXO2 Mini becomes a dedicated, high-quality monitor-only solution for…
From Pro Tools® to Media Composer® we create audio and video technology that helps people make the most listened to, most watched and most loved media in the world.
Around the world, in 1,000 post and broadcast facilities, journalists, systems administrators, producers, and editors, are breaking down workflow barriers and getting down to business with Avid Interplay®.
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc24 In this episode, we’ll severely change the white balance of an image to correct an underexposed, wrongly balanced clip and make it look decent. We’ll use the curves in Avid’s Color Correction to do it. Here…
Before we start color correcting a shot, a few words about scopes. http://avidscreencast.com/asc22 Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color Correction Basics Part7
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc23 Manipulate the contrast of an image with Avid Color Correction. Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction…
Yet another transition I recently saw that is really easy to build. Once again, no third-party applications. Everything is done right inside the Avid
A short video tutorial on how to customize views in your Avid Media Composer bin. To learn more things like this, go to PostFifthPictures.com
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