Learn Media Composer Lesson 93: Add Logos to Credit Crawls
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Learn Media Composer Lesson 93: Add Logos to Credit Crawls

http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe shows you how to add logos to your title crawls, by introducing Photoshop to your Media Composer workflow. What might seem to be limitations inside of Media Composer can bypassed by unitizing the Marquee Title Tool! Once you see how easy this technique is, you’ll be adding logos…

Learn Media Composer: Michael Bay Film Look Part 1
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Learn Media Composer: Michael Bay Film Look Part 1

http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe shows all the Symphony editors out there how to create a Michael Bay inspired film look right from within their Symphony timeline. Everything that is shown in this tutorial is designed to get you excited to stay in your NLE which not only saves you time, but will…

IBC 2013: Broadcast and Media ◄ Everywhere
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IBC 2013: Broadcast and Media ◄ Everywhere

The Broadcast and Media industry is facing unprecedented change—find out what you can do to win. Our new strategic vision will manifest itself as the most fluid end-to-end distributed media production environment in the industry—a comprehensive ecosystem that encompasses every aspect of the new digital media value chain. Learn how Avid Everywhere will help you…

Learn Media Composer Lesson 92: FrameFlex
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Learn Media Composer Lesson 92: FrameFlex

library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_92 In this lesson, Kevin P McAuliffe takes a look at the new FrameFlex feature inside of Media Composer 7. Ideal for working with large frame sizes inside of HD and SD timelines, this new feature is almost a hidden gem, as it’s automatically added to your clips, once you drop them in the timeline….

Learn Media Composer Lesson 91: Transfer Modes
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Learn Media Composer Lesson 91: Transfer Modes

library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_91 In this lesson, Kevin P McAuliffe talks about Transfer Modes, or Blend Modes as they are more commonly referred to, and how even though most editors think that you cannot work with them inside of Media Composer, you actually have the tools right at your fingertips…you probably just don’t realize it.

Boris TV, Episode 176: Digital Disintegration in Avid FX
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Boris TV, Episode 176: Digital Disintegration in Avid FX

Boris FX’s Paul Ezzy breaks down the power of BCC Pin Art, an OpenGL-accelerated particle-based 3D generator in the latest episode of Boris TV. This two-fold tutorial shows you not only how to add a “pixel-disintegration” transition (think the pixels from an old-school Atari game) to your footage, but also how to take advantage of…

Key Code Media presents: Avid Interplay Sphere for Education Webinar
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Key Code Media presents: Avid Interplay Sphere for Education Webinar

August 2013: Featuring a walk through of Avid Interplay Production, Central and Sphere with Technical Manager and ASCR Elite Scott Williams of Key Code Media. Matt Stroup, Video Educator at Clark Magnet High School, discuss how Avid and Key Code Media revolutionized their media program, and offers strategies on writing grants and appropriating funds for…

Learn Media Composer Lesson 90: Intro to Audio Effects
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Learn Media Composer Lesson 90: Intro to Audio Effects

library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_90 In this lesson, Kevin P McAuliffe introduces the Audio EQ tool, as well as the Audio Suite Plug-ins. These great tools let you create audio effects like the “telephone” effect, as well as letting you speed up and slow down audio, to make it fit wherever you need it to, in your timeline.