NOTE: I had to trim this video down severely because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc35 A short introduction to the new features of Avid Media Composer 5.0
Subscribe to Buzz: http://www.avid.com/buzz?cmpid=AV-SM-MC5-6 Avid’s Matt Feury talks to NLE guru and seasoned pro Steve Cohen about Media Composer 5 and where Avid is today.
Create a Glow-like Film Flash Effect without using Boris Continuum Complete. http://www.avidscreencast.com/asc34
Hear what professional editors and beta testers have to say about working with Media Composer 5—from the new Smart Tool and direct RED and QuickTime support, to cool audio tools and Matrox monitoring.
Nothing fancy, but a solid workhorse: Want to make sure that your sequence is complying with technical broadcast standards? The Safe Color Limiter Effect is your friend. http://avidscreencast.com/asc33
In this episode, we’ll transition into a title by starting with a blur and then slowly letting it focus. To do this we’ll have to look into how titles actually work, redoing it as a simple Matte Key and then manipulating Key and Fill to achieve out goal. You see, it’s fun for the whole…
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc31 This week’s episode features a request from Youtube user Instantslugger, who wanted to know how to do a curtain transition within Media Composer. Turns out it’s not that hard. We’ll do it using Avid’s Paint effect…
If you have questions about iNEWS or using iNEWS on the iPad submit your question on community.avid.com in the Broadcast Newsroom Forum: http://community.avid.com/forums/187.aspx?cmpid=youtube
Everybody knows the Timewarp only applies to video. But what if you want to change the speed of your audio as well? In this episode, we’ll do just that with the help of a couple of different AudioSuite plugins that come with Media Composer. http://avidscreencast.com/asc30
For more customer tutorials: community.avid.com/forums/tags/~Avid_DS/default.aspx?GroupID=31?cmpid=vimeo For DS Nitris and Avid DS workflow, issues and questions: community.avid.com/forums/34.aspx?cmpid=vimeo Click here for part 1 of 2
In this episode, we’ll create a nice Glow transition using a Boris Continuum Complete Effect that ships with Media Composer.
“If you’re a young editor, and you want to have an edge…you should know what’s new in Media Composer.” -Dan Lebental, editor, ‘Iron Man 2’
Avid Exclusive: Meagan Keane of Avid Artist Relations interviews Avatar producer Jon Landau. Landau discusses the creative process behind the highest grossing film in history and the numerous ways Avid film and video editing software workflow facilitated 3D production.
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc28 In the final installment of the Color Correction series, we’ll highlight parts of a shot by using a vignette. Then, I’ll go through some Color Correction options that I hadn’t mentioned in previous episodes. Here are…
In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color…
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