Everybody knows the Timewarp only applies to video. But what if you want to change the speed of your audio as well? In this episode, we’ll do just that with the help of a couple of different AudioSuite plugins that come with Media Composer. http://avidscreencast.com/asc30
For more customer tutorials: community.avid.com/forums/tags/~Avid_DS/default.aspx?GroupID=31?cmpid=vimeo For DS Nitris and Avid DS workflow, issues and questions: community.avid.com/forums/34.aspx?cmpid=vimeo Click here for part 1 of 2
In this episode, we’ll create a nice Glow transition using a Boris Continuum Complete Effect that ships with Media Composer.
“If you’re a young editor, and you want to have an edge…you should know what’s new in Media Composer.” -Dan Lebental, editor, ‘Iron Man 2’
Avid Exclusive: Meagan Keane of Avid Artist Relations interviews Avatar producer Jon Landau. Landau discusses the creative process behind the highest grossing film in history and the numerous ways Avid film and video editing software workflow facilitated 3D production.
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc28 In the final installment of the Color Correction series, we’ll highlight parts of a shot by using a vignette. Then, I’ll go through some Color Correction options that I hadn’t mentioned in previous episodes. Here are…
In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction Basics Part5 Color Correction Basics Part6 Color…
The final installment in my three part Cheesy Transitions series. As usual, everything is done right inside Media Composer. This is one very, very powerful application!
Christopher Nelson, ACE Editor of LOST and Mad Men, talks with Meagan Keane about what students need to learn in school to be successful in Hollywood.
One of the most common tasks when doing color correction is matching two shots. So this week and next, we’ll do exactly that. As always, I like working with the curves in Avid, but you should be able to use the skills learned in this tutorial when using the Color Wheels as well. Sorry for…
Learn the basics of Avid DS indexing, why it is important and how to manage your media files. This is a part 1 of 2. Click here for part 2 of 2
In last week’s episode, we chnaged the color balance of a shot with curves. This week we’ll do the same thing with the color wheels. http://avidscreencast.com/asc25 Here are direct links to the other tutorials in this series: Color Correction Basics Part1 Color Correction Basics Part2 Color Correction Basics Part3 Color Correction Basics Part4 Color Correction…
At the heart of the Integrated Media Enterprise, Interplay is an Enterprise Media Asset Management solution. Providing individual contributors with the media they need, where and when they need it, Interplay enables you to do in minutes what once took hours.
If you dont have a Nitris DX- or Mojo DX-based system, Media Composer 5 opens the door to third-party workflows, enabling you to monitor video externally using the Matrox MXO2 Mini interface, which is available for Mac and Windows systems. When paired with Media Composer software, MXO2 Mini becomes a dedicated, high-quality monitor-only solution for…
From Pro Tools® to Media Composer® we create audio and video technology that helps people make the most listened to, most watched and most loved media in the world.
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