Our company has found a unique way to use the merge color correction function to assist in quickly completing recaps, cold opens, or any other
Tag: color correction
This Tutorial will show you a way to instantly remove another editor’s color correction with a single click of the mouse. As well as, offer
In this lesson, Kevin P McAuliffe talks about working with Look Up Tables (LUT’s) inside of Media Composer. They’re not as simple to get installed
In this video we look at how to use the Paint Effect to re-color/colorize/color-correct a portion of a video clip, and how to use motion
Designed especially for Avid Media Composer, this LUT legalises video levels to be broadcast safe. RGB and Luma are corrected to be within EBU-R103 gamut
Tutorial on exporting from Media Composer, then importing into resolve. Then some simple grading examples, and export back to media composer.
Hold down the control key and use your middle mouse roller for fine control for many of the Media Composer functions including: Color Correction functions
This tutorial demonstrates how to leverage Avid’s powerful and efficient color correction by working in Color Correction mode, which allows you quick access to its
ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more
Media Composer quick tip to remain in color correction mode while jumping to in or out marks. Triggered by a question on the DS list
If you’re not getting what you need to succeed—or you’re a former Avid user who switched (we’d love to have you back)—join award-winning editor Kevin
In the fourth of our “Get Started Fast with Avid Media Composer 7” tutorials, we’re ready to give your projects a professional polish with eye-catching
http://library.creativecow.net/mcauli… In this lesson, Kevin P McAuliffe shows all the Symphony editors out there how to create a Michael Bay inspired film look right from
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_62 In this lesson, Kevin P McAuliffe continues his look at basic color correction by talking about what to do in situations where the color
library.creativecow.net/mcauliffe_kevin/Avid-Media-Composer_61 In this lesson, Kevin P McAuliffe shows you the basics of color correction by simply adjusting the Setup, Gamma and Gain values to take
Bob Russo explains how to use the Secondary Color Correction toolset.
Quick run-through of the Color Correction tool by Bob Russo.
I’m using Symphony 6 here but the workflow is identical in Media Composer. Start in Redcinex pro for a one light of the R3ds. Then
Works for all Canon DSLRs. I’m using Symphony 6 here but the workflow is identical in Media Composer. We start with AMA native H.264 playback,
Welcome to Getting Started with Media Composer 6 and Avid Symphony 6 for Final Cut Pro users. In a few short videos you’ll have everything
Correcting color can have you seeing red—literally—when working with a keyboard and mouse alone. With Artist Color, you get the precision and hands-on control you
When it comes to color grading, using a mouse can leave you seeing red — literally. With the compact, ergonomic Artist Color, you gain deep
Learn how to use Avid Media Composer’s animatte feature to color correct video. You will also learn how to create a moving matte using Avid
Create a Secondary Color Correction with a Garbage Matte in Media Composer. It plays in real-time! http://www.avidscreencast.com/asc40
NOTE: I had to trim this video down because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc28 In the final installment of the
In this episode, we’ll continue matching one shot to another. We’ll do it manually, and we’ll use Avid’s curves. Here are direct links to the
One of the most common tasks when doing color correction is matching two shots. So this week and next, we’ll do exactly that. As always,
In last week’s episode, we chnaged the color balance of a shot with curves. This week we’ll do the same thing with the color wheels.