In this lesson, Kevin P McAuliffe starts the first of a multi-part tutorial series on Dailies workflows inside of Media Composer, by looking at the best way to work with dailies sent to you (or created by you) from Assimilate Scratch. Footage courtesy of Cinestudy – vimeo.com/framelines Channel: www.youtube.com/letseditMC_avidFacebook: https://www.facebook.com/LetsEditwithMediaComposerTwitter: @kpmcauliffee-mail: firstname.lastname@example.org
Recorded live at the September 2019 lacpug Meet; Editor Lawrence Jordan ACE and VFX editor Jose Marra showed us their editing process on the VERY heavy VFX movie starring Marlon Wayons, SEXTUPLETS, where Marlon Wayons plays seven characters.
In this lesson, Kevin P McAuliffe answers a viewers question about how to Offline 4K Red footage in HD, and then relink to your original RAW footage to finish and export your final master. To make matters a little more difficult, we’re going to use clips with different frame rates, but with the newest version
Step 7: Syncing Audio and video in Avid Media Composer Learn how to create, modify and manage a sync map sequence using timecode, then sync double-system audio and video clips in Avid.
Step 6: Importing and Organizing Audio Files in Avid Media Composer Learn how to import audio files into Avid, assign and manage clip metadata in preparation for syncing to video.
Step 5: Organizing video dailies in Avid Media Composer Learn how to manage metadata on video files in Avid Media composer, including copying column data and best practices for setting up your bins.
Step 4: Importing ALE files to Avid Media Composer and relinking master clips to MXF media Learn how to import ALE files into Avid, view bin metadata, and relink master clips to MXF media files.
Step 3: Exporting media and metadata from Resolve for Avid Media Composer Learn how to render Avid MXF files from Resolve, and export ALE files (bin metadata) for Avid Media Composer.
Step 2: Creating and managing export timelines in Resolve Learn how to create timelines in Resolve, and add data burn-in in preparation for export to Avid Media Composer.
Step 1: Importing and organizing footage in Resolve Learn how to set up a Resolve project, import production camera files, and organize metadata.
Avid Senior Solutions Specialist Corey Tedrow demonstrates roundtripping between Media Composer and Adobe After Effects. Watch more tutorial videos at http://www.avid.com/mc-tutorials
This video shows how to export your footage using Tentacle Sync Studio’s AAF export function to get it into Avid Media Composer.
ISIS shared storage, part of the Avid Storage Suite, provide unparalleled system access, performance, and scalability, so your facility can enhance collaboration and operate more efficiently. More productions are shooting with 2K and 4K cameras, and facilities need a powerful storage system that supports these workflows. ISIS shared storage systems now support 4K and Ultra
Jonathan Wales on how Avid ISIS 5000 shared media storage affected his workflow and greatly increased efficiency & productivity. For more from this interview, and other discussions about world class studio equipment, visit: http://www.rspeaudio.com/RSPE_Audio_I… Avid ISIS 5000 Game changing capability and workflow flexibility has never been more affordable. ISIS 5000 sets the benchmark for real-time,