Imagine you’ve got major news stories breaking everywhere and an understaffed newsroom coping as best they can with an inundation of content coming in. With the industry’s most integrated, interconnected newsroom solutions, Avid can help you achieve a new level of production capability.
Imagine you need to produce a new, high-end reality show that features a few wrinkles TV audiences have never seen before. With the power to work quicker and more collaboratively, Avid can help you achieve the viewer engagement and ratings necessary to make your show an unqualified success.
Imagine you’ve got a stadium full of fans you need to get out of their seats and onto their feet. Now you can achieve a level of entertainment that keeps those fans coming back or tuning in time after time-no matter how your team is doing on the field.
With Stereoscopic filmmaking comes an entirely new set of creative techniques, rules and editing practices. Media Composer 6 includes a powerful, integrated stereoscopic workflow. In our free tutorial videos on Avid.com you’ll see how to take advantage of it. But, let’s begin by taking a look at how our eyes work in stereo. Become an
Avid had just three months to design and integrate a state-of-the-art file-based HD production and post workflow for one of the UK’s biggest shows—while it was still being produced.
Next-generation workflow tools for on-the-go media professionals delivered through both web- and mobile-based apps.
Avid breaks new ground and expands the Interplay product family with Interplay Central. Interplay Central delivers next-generation workflow paradigm media creation, distribution and management.
Offline Online Sony XDCAM HD Proxy Workflow. If you have questions about this workflow please post them here: http://community.avid.com/forums/t/94734.aspx
Media Composer 5 introduced several improvements to audio (RTAS plug-ins, Stereo Audio Tracks, ability to view automation gain on individual tracks). At the time MC5 was introduced, Pro Tools couldn’t open RTAS plug-ins and stereo tracks from MC.With the intro of PT 9, not only can Pro Tools open RTAS plug-ins and Stereo Tracks, it
How to move Media Composer projects to Avid DS and get started with finishing.
Golf Channel is the non-stop shop for golf on cable. Now, collaboration is the name of its game as it puts a fully-integrated, Interplay-based workflow into play. Instead of working from separate islands, each contributor has become a much more integral part of the production team. Comments Lindsay Vassar, Video Editor, “the best part of
Since being introduced in 2009, the AMA architecture has been expanded in Media Composer© 5.0 to include even more file-based formats. Now in MC5 users can directly link to and have immediate access to formats such as RED©, QuickTime© with H.264, QuickTime with ProRes, Canon’s new XF plug-in, the P2 DVCPRO© format, XDCAM HD, as
Here’s a very basic tutorial on how to set up a multi-camera edit using Avid Media Composer. I purposely made this tutorial very short to get right to the point. You can view the full transcript of this Media Composer tutorial by visiting: http://www.geniusdv.com/news_and_tutorials/2010/08/setting_up_multi_camera_mo…
NOTE: I had to trim this video down severely because of Youtube length limitations. See the full episode at http://avidscreencast.com/asc36 With Media Composer 5, you can access Quicktime and R3D files natively using AMA (provided you have the horsepower). In this episode, I’ll show you how to link to AMA volumes, change the R3D source
At the heart of the Integrated Media Enterprise, Interplay is an Enterprise Media Asset Management solution. Providing individual contributors with the media they need, where and when they need it, Interplay enables you to do in minutes what once took hours.